Produced on the occasion of Willem Oorebeek’s exhibition at Culturgest, Lisbon, 28 June–21 September, 2008.

Dutch artist Willem Oorebeek’s work is grounded in techniques from the graphic arts. He utilizes different printing processes in a special manner. He is especially interested in how image and language can combine and lead to a unique cross of visibility and legibility. Over the last ten years his production consisted mainly of a series of works in which he appropriates imagery drawn from printed matter that circulates in the public sphere. This catalogue from his 2008 exhibition in Lisbon documents his work and is accompanied by essays from Wouter Davidts and Camiel van Winkel.

Known primarily for his experimental cinema and pictorial works, Paul Sharits developed an oeuvre that evolved around two central themes: one, closely related to music and the world of abstraction, the other, within the psychological and emotional arena of the figurative. This complete monograph explores the connections between these two practices, and in addition provides a general introduction to a remarkable body of work. Illustrated throughout, the monograph also includes several essays, texts by Sharits and interviews.

With texts by Yann Beauvais, Bill Brand, Edwin Carels, Rosalind Krauss, Jean-Claude Lebensztejn, Wieslaw Michalak, Annette Michelson, Józef Robakowski, Keith Sanborn and Paul Sharits.

Produced on the occasion of the exhibition André Cadere: Peinture sans fin at the Staatliche Kunsthalle Baden-Baden, 27 October, 2007–20 January, 2008.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and has some traces of previous ownership.

(First Printing 2008). Produced on the occasion of Seth Price’s exhibition at Friedrich Petzel Gallery, New York, 9 February–8 March, 2008, How to Disappear in America alludes to 1960s countercultural handbooks providing instructions for dropping out of mainstream society. Price’s book, which consists exclusively of information found on the internet, includes advice for using current technology and focuses on the practical concerns of evading capture by law enforcement.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of three exhibitions by Michael Krebber Respekt Frischlinge at Galerie Daniel Buchholz, Je suis la chaise at Galerie Chantal Crousel & London Condom at Maureen Paley.

Designed by Michael Krebber and Yvonne Quirmbach.

Produced on the occasion of the exhibition Zürich Suite at the Migros museum für gegenwartskunst, Zurich, 8 April 8–18 June, 2006.