Produced on the occasion of Haegue Yang’s exhibition Unpacking Storage Piece at Haubrokshows, Berlin, 29 September–3 October, 2007.

“Storage Piece was created in 2003. It consists of works that had yet to be sold and nowhere to be stored. Meanwhile, the work, born from necessity, had been exhibited numerous times. Upon its purchase by Axel Haubrok at Art Forum 2005 in Berlin, Haegue Yang transferred the work’s authorship to the collector. The possibility to unpack it was a conceptual part of the work and has now been realized by the owner together with the artist.” Exhibition press release

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Peter Shire, Chairs at Frank Lloyd Gallery, Santa Monica, October 20-November 24, 2007.

Peter Shire is an LA-based artist whose subversive humour and playfulness extend throughout his work and made him a natural fit for the controversial and iconic Milan-based Memphis design group, of which he was a founding member.

A collaboration between Jochen Lempert and Jürgen Stollhans on the occasion of both artists’ duo show at the Kunstverein Ulm in July–August 2007.

Produced on the occasion of the exhibition Ellipsis, featuring Chantal Akerman, Lili Dujourie and Francesca Woodman, curated by Lynne Cooke, at Konsthall Lund, Sweden; Museo Tamayo Arte Contemporáneo, Mexico & Dundee Contemporary Arts, UK, between 2007–08.

“Although born ten years apart and in very different circumstances, the three artists featured in this exhibition each profited from the turn to still photography, and other lens-based technologies—film, slide projection and the newer medium of video that dominated vanguard art practice in the late 1960s. Taking themselves, their bodies and their immediate circumstances as their point of departure, during the 1970s all three made performative work for the camera. Tellingly, the sites they favoured were mostly their own studios or domestic interiors.”—Lynne Cooke

More information on the exhibition can be found here.

Produced on the occasion of the exhibition Konrad Klapheck: Paintings from 1955 to 1998 at Zwirner & Wirth, New York, 8 November – 22 December, 2007.

This first English-language monograph brings together an astonishing group of paintings that span the course of German painter Konrad Klapheck’s six-decade-long career–from his painterly investigations of technological machines and everyday objects such as typewriters, sewing machines and ventilators to his more recent figurative work.

Includes a conversation with Christopher Williams and a text from André Breton. Designed by Christopher Williams.

This internationally-oriented journal is organised into sections based on the date and the city from which the contributor submits his or her thoughts, observations, photographs, and/or stories. The result is a collection of news and insights from around the world during a particular period, in this case, January 6 through May 2, 2007.

Contributors include Laetitia Benat, Mark Borthwick, Christophe Brunnquell, Anders Edström, Elein Fleiss, Dominique Gonzalez-Foerster, Nakako Hayashi, Gary Indiana, Jeff Rian, Chikashi Suzuki, Antek Walczak, Cosmic Wonder Light Source, Henry Roy, Tomoo Gokita amongst others.

*Please note this publication is secondhand and has some traces of previous ownership.