A collaboration between Jochen Lempert and Jürgen Stollhans on the occasion of both artists’ duo show at the Kunstverein Ulm in July-August 2007.
Produced on the occasion of the exhibition Ellipsis, featuring Chantal Akerman, Lili Dujourie and Francesca Woodman, curated by Lynne Cooke, at Lunds Konsthall, Sweden; Museo Tamayo Arte Contempor´neo, Mexico & Dundee Contemporary Arts, Dundee, between 2007-08.
“Although born ten years apart and in very different circumstances, the three artists featured in this exhibition each profited from the turn to still photography, and other lens-based technologies – film, slide projection and the newer medium of video that dominated vanguard art practice in the late 1960s. Taking themselves, their bodies and their immediate circumstances as their point of departure, during the 1970s all three made performative work for the camera. Tellingly, the sites they favoured were mostly their own studios or domestic interiors.” Lynne Cooke
More information on the exhibition can be found here.
Produced on the occasion of the exhibition Konrad Klapheck: Paintings from 1955 to 1998 at Zwirner & Wirth, New York, 8 November – 22 December, 2007.
This first English-language monograph brings together an astonishing group of paintings that span the course of German painter Konrad Klapheck’s six-decade-long career–from his painterly investigations of technological machines and everyday objects such as typewriters, sewing machines and ventilators to his more recent figurative work.
Includes a conversation with Christopher Williams and a text from André Breton. Designed by Christopher Williams.
This internationally-oriented journal is organised into sections based on the date and the city from which the contributor submits his or her thoughts, observations, photographs, and/or stories. The result is a collection of news and insights from around the world during a particular period, in this case, January 6 through May 2, 2007.
Contributors include Laetitia Benat, Mark Borthwick, Christophe Brunnquell, Anders Edström, Elein Fleiss, Dominique Gonzalez-Foerster, Nakako Hayashi, Gary Indiana, Jeff Rian, Chikashi Suzuki, Antek Walczak, Cosmic Wonder Light Source, Henry Roy, Tomoo Gokita amongst others.
*Please note this publication is secondhand and has some traces of previous ownership.
This internationally-oriented journal is organised into sections based on the date and the city from which the contributor submits his or her thoughts, observations, photographs, and/or stories. The result is a collection of news and insights from around the world during a particular period, in this case, January 6 through May 2, 2007.
Contributors include Laetitia Benat, Mark Borthwick, Christophe Brunnquell, Anders Edström, Elein Fleiss, Dominique Gonzalez-Foerster, Nakako Hayashi, Gary Indiana, Jeff Rian, Chikashi Suzuki, Antek Walczak, Cosmic Wonder Light Source, Henry Roy, Tomoo Gokita amongst others.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Félix González-Torres representing the United States at the Venice Biennale, only the second time in the modern history of the Venice Biennale that an artist has represented the U.S. posthumously.
Exhibition curator Nancy Spector provides an introductory essay on the artist, and curators Amada Cruz, Susanne Ghez and Ann Goldstein discuss in conversation their proposal of González-Torres for the 1995 Biennale.
*Please note this publication is secondhand and has some traces of previous ownership.