Produced on the occasion of the exhibition Konrad Klapheck: Paintings from 1955 to 1998 at Zwirner & Wirth, New York, 8 November – 22 December, 2007.

This first English-language monograph brings together an astonishing group of paintings that span the course of German painter Konrad Klapheck’s six-decade-long career–from his painterly investigations of technological machines and everyday objects such as typewriters, sewing machines and ventilators to his more recent figurative work.

Includes a conversation with Christopher Williams and a text from André Breton. Designed by Christopher Williams.

This internationally-oriented journal is organised into sections based on the date and the city from which the contributor submits his or her thoughts, observations, photographs, and/or stories. The result is a collection of news and insights from around the world during a particular period, in this case, January 6 through May 2, 2007.

Contributors include Laetitia Benat, Mark Borthwick, Christophe Brunnquell, Anders Edström, Elein Fleiss, Dominique Gonzalez-Foerster, Nakako Hayashi, Gary Indiana, Jeff Rian, Chikashi Suzuki, Antek Walczak, Cosmic Wonder Light Source, Henry Roy, Tomoo Gokita amongst others.

*Please note this publication is secondhand and has some traces of previous ownership.

This internationally-oriented journal is organised into sections based on the date and the city from which the contributor submits his or her thoughts, observations, photographs, and/or stories. The result is a collection of news and insights from around the world during a particular period, in this case, January 6 through May 2, 2007.

Contributors include Laetitia Benat, Mark Borthwick, Christophe Brunnquell, Anders Edström, Elein Fleiss, Dominique Gonzalez-Foerster, Nakako Hayashi, Gary Indiana, Jeff Rian, Chikashi Suzuki, Antek Walczak, Cosmic Wonder Light Source, Henry Roy, Tomoo Gokita amongst others.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Félix González-Torres representing the United States at the Venice Biennale, only the second time in the modern history of the Venice Biennale that an artist has represented the U.S. posthumously.

Exhibition curator Nancy Spector provides an introductory essay on the artist, and curators Amada Cruz, Susanne Ghez and Ann Goldstein discuss in conversation their proposal of González-Torres for the 1995 Biennale.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Anna Oppermann: Ensembles at Württembergischer Kunstverein, Stuttgart, 17 April 17 – 12 August, 2007 and the Generali Foundation, Vienna, 28 August – 16 December, 2007.

In the late sixties German artist Anna Oppermann (1940–1993) began creating installations, which she called Ensembles, containing references to Pop Art, Arte Povera, and Conceptual Art. Assembled using found objects, photographs, sketches, personal texts, quotations, and coloured photographic screens, these installations were often misinterpreted by contemporaries as purely biographical statements.

Entirely conceived by the artist, this publication, between artist’s book and exhibition catalogue, consists of a notebook of 46 fastened pages, in a bound envelope. It contains several texts on the artist’s work, accompanied with numerous illustrations, as well as a series of questions collected with his friends and close relations, artists, gallerists, collectors, family members… A poem is inserted between pages.