Produced on the occasion of the exhibition at the Bunkamura Museum of Art, Tokyo, 18 June – 31 July, 2005, that toured to Daimaru Museum, Umeda; The Museum of Modern Art, Gunma & Nagoya City Art Museum.

Leonor Fini was an Argentine-Italian painter who spent much of her artistic career in France. Associated with the Surrealist movement, Fini’s self-portraits and mythological paintings focused on eroticism and dreams.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Example: Dix-Huit Leçons sur la Société Industrielle at the Contemporary Art Gallery, January 13 – March 6, 2005.

It includes a forward by Christina Ritchie, essays; Mechanization takes command: Modernization, Terminable and interminable by John Miller and Some References for Christopher Williams by Claudia Beck.

Designed by Christopher Williams with Yvonne Quirmbach.

Produced on the occasion of the exhibition Japanese Women Artists in Avant-Garde Movements, 1950–1975 at Tochigi Prefectural Museum of Fine Arts, 24 July–11 September, 2005. Including artists Atsuko Tanaka, Yayoi Kusama, Mieko Shiomi, Yoko Ono, Sawako Goda, Shigeko Kubota, Mitsuko Tabe, Miyori Hayashi, Yuri Nonaka, Takako Saito and many more.

*Please note this publication is secondhand and has some traces of previous ownership.

Wine label designed by Marc Camille Chaimowicz.

Presents the original installation Celebration? Realife by Chaimowicz at Gallery House, London, 1972, as well as the recent re-installations at the Cabinet Gallery, London; the Migros Museum, Zurich and the FRAC Bourgogne, Dijon.

Texts by Alison Bracker, Matthew Higgs.

Takao Hiwasaki is credited with reviving the wood engraving technique in Japan, where it was introduced by Britain in the Meiji period as a means of quickly reproducing works before falling out of favour with the arrival of photomechanical methods. He taught himself the medium in the 1960s after reading Onchi Koshiro’s book on Japanese printmaking, Nihon no gendai hanga, as a fine art technique rather than for reproduction, applying his Modernist, sometimes Surrealist styles to his compositions. This inspired the formation of the group Nomi no Kai (The Chisels) by admirers and followers of the technique, which helped launch Japan’s wood engraving renaissance in the 1970s.

*Please note this publication is secondhand and has some traces of previous ownership.