Produced on the occasion of the exhibition AA Bronson 1969–2000 at Secession, Vienna, 5 October–26 November, 2000.
*Please note this publication is secondhand and has some traces of previous ownership.
Presents the work and life of this essential typographer, until now too little known outside the circle of his friends and students. Froshaug was a deep and charismatic thinker-practitioner, whose insights return us to the fundamentals of typography. The book consists of two interacting volumes: the solid record of the work is placed against the contingencies of the life. A traditional monograph is unsettled by an exploration in documentary.
*Please note this publication is secondhand and has some traces of previous ownership.
Presents the work and life of this essential typographer, until now too little known outside the circle of his friends and students. Froshaug was a deep and charismatic thinker-practitioner, whose insights return us to the fundamentals of typography. The book consists of two interacting volumes: the solid record of the work is placed against the contingencies of the life. A traditional monograph is unsettled by an exploration in documentary.
*Please note this publication is secondhand and has some traces of previous ownership.
Mark Borthwick belongs to a generation of photographers who, in the 1990s, changed fashion’s imagery. Breaking the conventions of fashion photography, he developed a style that was at once intuitive and personal, integrating elements, props, attitudes, that touch contemporary art, environmental issues, interior and architectural design, and a reverence for clothes as works of art.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition Marian Zazeela: Drawings at Kunst im Regenbogenstadl, Polling, 2000. Over the past six decades, Zazeela was a central figure of the New York avant-garde. Her expansive practice encompassing painting, calligraphic drawing, film, light projection, stage design, sculpture, and light environments applied rigorous formal procedures to enact states of transcendence.
In 1962, Zazeela produced a series of highly singular drawings that charted the course of her subsequent work. Employing both improvisation and an increasing array of rigorous compositional techniques, Zazeela’s ornamental shapes render the page a concentrated visual field of startlingly complex design.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition Marc Camille Chaimowicz: Cinq Propositions at Centre d’art contemporain C Karoutzos, Issoire, 1 July–10 September, 2000.
*Please note this publication is secondhand and has some traces of previous ownership. (Some signs of wear on the cover)