SIX YEARS: THE DEMATERIALIZATION OF THE ART OBJECT FROM 1966 TO 1972
Lucy R. Lippard
Published by University of California Press, Berkeley, 1997, 296 pages (b/w ill.), 17.8 × 21.9 cm, English
Price: €31

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.

#1997 #lucyrlippard
Diözesanmuseum Köln zu Gast: Paul Thek
Published by Diözesanmuseum, Köln, 1997, 14 cards & 2 fold out texts bound in obi strip, (colour & b/w ill.), 10.8 × 14.8 cm, German
Price: €35 (Out of stock)

Produced on the occasion of the exhibition Diözesanmuseum Köln zu Gast: Paul Thek at Kunst-Station St. Peter in Köln, 29 March–29 June, 1997.

#1997 #ephemera #paulthek
FIAT
Manfred Pernice
Published by Städtisches Museum Zwickau, Zwickau, 1997, 12 pages (colour & b/w ill.), 23 × 28 cm, German
Price: €22 (Out of stock)

Produced on the occasion of Manfred Pernice’s solo exhibition FIAT at the Städtisches Museum Zwickau.

#1997 #manfredpernice
Michael Krebber
Published by Villa Arson, Nice, 1997, 32 pages (b/w ill.), 21 × 26.5 cm, French
Price: €35

Catalogue produced on the occasion of Michael Krebber’s exhibition at the Villa Arson, Nice, 28 March–18 May, 1997.

#1997 #michaelkrebber
Phillip Lai
Published by The Showroom, London, 1997, 24 pages (colour & b/w ill.), 21 × 21 cm, English
Price: €18 (Out of stock)

Produced on the occasion of Phillip Lai’s exhibtion at The Showroom, London, 26 February–30 March, 1997. With an essay by Francis McKee and an interview by Karina Daskalov.

Phillip Lai’s work at The Showroom involved the construction of objects and images which addressed ‘fluid’ states; the transformation via a soy-sauce fermentation unit, of solids to liquid and the absurd fusion, through biro drawn directly onto the gallery wall, of automatic drawing and the ‘letting’, or exhumation, of a consciousness.

More information on the exhibition can be found here.

#1997 #francismckee #philliplai #theshowroom
Traces of Light in Modernism
Koshiro Onchi, Osamu Shiihara and Ei-Q
Published by The National Museum of Modern Art, Tokyo, 1997, 40 pages (b/w ill.), 21 × 29.7 cm, Japanese / English
Price: €40 (Out of stock)

Various artistic trends originating in Europe after World War 1, such as Russian Constructivism, the Bauhaus in Germany and Surrealism in France, left a strong impression on Japanese art and photography in the Taisho and the early Showa periods. In photography in particular, the Western influence brought a new movement called Shinko Shashin (New Photography) in the early Showa period. This exhibition was an attempt at reexamining the visual expression in the period from the perspective of the photographic work of artists from fields other than photography, focusing on the work of Koshiro Onchi, Osamu Shiihara and Ei-Q.

#1997 #abstractphotography #eikyu #eiq #japaneseavantgarde #japanesephotography #koshiroonchi #osamushiihara #photography