Catalogue raisonné of forty-two films out of more than a hundred cinematographic projects initiated by Marcel Broodthaers during his career. The films, made between 1957 and 1875, show how Broodthaers established the links between cinema and other media such as books, painting, drawing, photography and sculpture. It includes two essays on his work.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Leonora Carrington at Tokyo Station Gallery, 14 October – 12 November, 1997; Daimaru Museum, Ureda-Osaka, 11 February – 23 February, 1998; Hida Takayama Museum of Art, 28 February – 29 March, 1998 and the Mie Prefectural Art Museum, 4 April – 5 May, 1998.

Leonora Carrington was a British-born surrealist painter and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the surrealist movement of the 1930s. Carrington was also a founding member of the women’s liberation movement in Mexico during the 1970s.

*Please note this publication is secondhand and has some traces of previous ownership.

Various artistic trends originating in Europe after World War 1, such as Russian Constructivism, the Bauhaus in Germany and Surrealism in France, left a strong impression on Japanese art and photography in the Taisho and the early Showa periods. In photography in particular, the Western influence brought a new movement called Shinko Shashin (New Photography) in the early Showa period. This exhibition was an attempt at reexamining the visual expression in the period from the perspective of the photographic work of artists from fields other than photography, focusing on the work of Koshiro Onchi, Osamu Shiihara and Ei-Q.

*Please note this publication is secondhand and has some traces of previous ownership.

Rosemarie Trockel is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted works, drawings and photographs are noted for their subtle social critique and range of subversive, aesthetic strategies—including the reinterpretation of “feminine” techniques, the ironic shifting of cultural codes, a delight in paradox, and a refusal to conform to the commercial and institutional ideologies of the art system.

A comprehensive bibliography compiled by Seth Siegelaub, containing over 5,000 catalogued entries of books & articles, with a total of over 10,000 individual texts included in anthologies, reviews & magazines, published in all languages, mostly European (English, French, German, Italian, Spanish), 15th–20th century, treating all aspects of the history of handwoven textiles as art, craft, technology, industry & commerce. All entries are given with full author & title, edition, publisher, date & series title, with most provided with collations, & over 3,000 with a descriptive annotation, including a list of each text contained in anthologies, reviews & magazines. The work concludes with a detailed subject index of the most important books in each subject area.