Produced on the occasion of Jean-Marc Bustamante’s exhibition at the Villa Arson, Nice, 29 March–25 May,1997.
*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Jean-Marc Bustamante’s exhibition at the Villa Arson, Nice, 29 March–25 May,1997.
*Please note this publication is secondhand and may have some traces of previous ownership.




Delivered at Harvard in 1988–89 as the Charles Eliot Norton Lectures, were more like performances, as the audience heard them. Cage calls them “mesostics,” a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that “all answers answer all questions.”
You can hear an audio recording of the lecture here.
*Please note this publication is secondhand and may have some traces of previous ownership.










Produced on the occasion of the exhibition Beautiful Decadence, at Isetan Museum of Art, Tokyo (1997); Nara Sogo Museum of Art, Nara (1998) and the Museum of Fine Arts, Gifu (1998). Including the work of Aubrey Beardsley and and his contemporaries Charles Ricketts; Laurence Housman; Harry Clarke; Alastair; Sidney Sime; Willy Pogany; Arthur Rackham; Rodney Engen; Joichiro Kawamura.
*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of documenta X, 21 June–28 September, 1997, Kassel, Germany.
Lygia Clark, was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the mid-20th century and the Tropicalia movement. Along with Brazilian artists Amilcar de Castro, Franz Weissmann, Lygia Pape and poet Ferreira Gullar, Clark co-founded the Neo-Concrete movement. From 1960 on, Clark discovered ways for viewers (who would later be referred to as “participants”) to interact with her art works. Clark’s work dealt with the relationship between inside and outside, and, ultimately, between self and world.






Produced on the occasion of the Dutch Pavilion at the 47th Venice Biennale.
*Please note this publication is secondhand and has some traces of previous ownership.







Produced, composed and arranged by Workshop. Featuring; Elvis, Kai Althoff, Matthias Köchling, Patrick Spitzner, Stefan Mohr, Stephan Abry. Engineer, Recorded By – Stefan Mohr
*Please note this publication is secondhand and has some traces of previous ownership.