Produced on the occasion of the exhibition Peter Shire, Selected Ceramics and New Works at Frank Lloyd Gallery, Santa Monica, December 7 – December 31, 1996.

Peter Shire is an LA-based artist whose subversive humour and playfulness extend throughout his work and made him a natural fit for the controversial and iconic Milan-based Memphis design group, of which he was a founding member.

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Edited by Heike Kerstin Ander, and Dirk Snauwaert.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition In search of Eulenkippstadt at Robert Prime Gallery, London, March 6 – 19 April, 1996.

*Please note this publication is secondhand and has some traces of previous ownership.

In response to publishers’ demands that writers possess a body of reviews of their work, Richard Kostelanetz compiles all known reviews and mentions of his work in the press.

*Please note this publication is secondhand and has some traces of previous ownership.