In his sculptures, land works, and installations, Walter De Maria (1935–2013) explored the relationship between the relative and the absolute, using basic geometric components to produce sublime repetitions. By arranging forms according to mathematical sequences, he worked at the intersections of Minimalism, conceptual art, and land art—drawing attention to the limits of gallery spaces, prioritising bodily awareness, and locating the content of an artwork in the viewer.

Produced on the occasion of Willem Oorebeek’s exhibition at Galeire Paul Andriesse, Amsterdam, 12 January–13 February, 1991.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Heimo Zobernig’s exhibition at the Generali Foundation, Vienna, 5 September–18 October, 1991, curated by Sabine Breitwieser.

With texts by Sabine Breitwieser, Helmut Draxler and Reiner Zettl.

In these eight biographies, Stan Brakhage brings us into intimate acquaintance with some of America’s most influential independent filmmakers; Jerome Hill, Marie Menken, James Broughton, Christopher MacLaine, Maya Deren, Sidney Peterson, Bruce Conner and Ken Jacobs.

Produced on the occasion of the exhibition John McCracken at Galerie Froment & Putman, Paris, France, 16 May–12 July, 1991. John McCracken occupies a singular position in the recent history of American art with work that melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through colour, form, and finish.

Produced on the occasion of the German artist, musician and critic, Jutta Koether’s exhibition Massen at the Generali Foundation, Vienna, 6 November–20 December, 1991. Curated by Sabine Breitwieser. With texts by Michaela Eichwald and a conversation between Jutta Koether and Diedrich Diederichsen.