Initiated by Maurizio Nannucci and published by Ecart, Geneva, this envelope compiles editions produced by the artists James Lee Byars, Ben Vautier, Ken Friedman, Parmiggiani, Daniel Buren, Emmett Williams, Endre Tót, Jochem Gerz, Antonio Dias, Jannis Kounellis, Timm Ulrichs, Boetti, George Brecht, Giulio Paolini, Giuseppe Chiari, Robert Filliou, John Armleder, Carlos Gania, Patrick Lucchini, Robin Crozier, George Brecht.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Richard Tuttle’s exhibitions at the Whitney Museum of American Art, New York, 12 September–16 November, 1975 and the Otis Art Institute Gallery of Los Angeles County, Los Angeles, 16 January–29 February, 1976. With an essay by Marcia Tucker.

*Please note this publication is secondhand and has some traces of previous ownership.

The films of Frederick Wiseman, unparalleled as social and artistic documents of U.S. institutional life, have earned him international acclaim and generated continued controversy. His career and remarkable series of documentaries, beginning with the now famous Titicut Follies to later work Juvenile Court, Primate and Welfare, are covered in this collection of critical essays, interviews, reviews, complete filmography and a selective bibliography.

*Please note this publication is secondhand and has some traces of previous ownership.

Italian sculptor, painter and poet, Fausto Melotti is considered a pioneer of Italian art and is acknowledged for his unique contribution to the development of mid-century European Modernism. Coming of age in prewar Milan, and living through the horrors of the Second World War, Melotti metabolized wartime devastation in his work by returning to Renaissance principles of harmony, order, geometry, and musical structure, which he integrated into a highly personal yet universally accessible artistic language that expresses the full range of emotional experiences in modern human existence.

Pati Hill (b. 1921 in Ashland, Kentucky, USA; d. 2014 in Sens, France) was untrained as an artist and began to use the photocopier as an artistic tool in the early 1970s, continuing to do so until her death, leaving behind an extensive oeuvre that explores the relationship between image and text. In addition to this comprehensive body of xerographic work, she published four novels, a memoir, several short stories, artist’s books, and poetry. Drawing also became an essential part of her practice. In 1975, Hill published Slave Days, a book of 29 poems paired with photocopies of small household objects.

Printed on the occasion of Giorgio Griffa’s 1975 exhibition at Kunstraum Munchen. Actual size reproductions of 31 works on paper.