Produced on the occasion of the exhibition Ger Langeweg at the Stedelijk Museum, Amsterdam, 11 January–3 March, 1974 and the Gemeentemuseum, Arnhem, 30 March–5 May, 1974.

SM Cat. No 553.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Herman Scholten’s exhibition at the Stedelijk Museum, Amsterdam, 30 November, 1974–28 January, 1975.

SM Cat. No 570.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Konrad Klapheck’s 1974 exhibition at the Museum Boijmans Van Beuningen, Rotterdam. Klapheck, who was just 10 when World War II ended, saw in the destroyed cities and ruined buildings all around him a certain beauty or spectacle. After becoming a student at the Düsseldorf Art Academy, Klapheck turned to a different kind of subject matter, creating the first of his many “machine pictures”: the 1955 painting Typewriter. He went on to expand his repertoire to include sewing machines, faucets, telephones, irons, and even a hay-turning machine

Ruth Wolf-Rehfeldt is a German artist associated with visual poetry and mail art. She is most known for a period of geometric and poetic typewriter works produced between the 1970s and 1990 while employed as an administrator for the German Democratic Republic.

Produced on the occasion of Eduardo Paolozzi’s 1974 exhibition at Kestner-Gesellschaft, Hannover, 6 December, 1974–19 January, 1975, in association with the Nationalgalerie, Berlin.

Ei-Q (28 April, 1911–10 March, 1960) was a Japanese artist who worked in a variety of media, including photography and engraving.

He was influenced by the Surrealist aesthetic and also published essays promoting photography as an art form independent of painting. This did not imply a rejection of painting, and he worked toward what in 1935 he termed photo-dessins, a fusion of photograms and paintings.