Published as part of the exhibition Sand as Grey Noise, Dubai. Printed in the UAE, edition of 250.

Supported by Kunststiftung NRW. Edition 500.

Published on the occasion of Daniel Gustav Cramer’s exhibition Coasts, as part of Art Basel Parlours, 2016. Curated by Samuel Leuenberger.

Coasts, a sound installation placed in the first-floor rooms of a townhouse currently undergoing renovation, is Cramer’s first presentation of his archive of recordings taken in various coastal regions spanning the continents from Darwin, Australia to Ericeira, Portugal to Santa Monica, California. The architecture of the building creates a purely individual experience for the visitor who can listen to a singular recording or, by walking through the spaces, experience the overlap of a multitude of recordings.

Published on the occasion of Habit-co-Habit (Pune Biennale) curated by Luca Cerizza and Zasha Colah. Daniel Gustav Cramer and Henry Andersen, Berlin, Brussels. Edition of 1000.

Published on the occasion of the exhibition Fourteen Works at Galeria Vera Cortês, Lisbon. For the duration of the exhibition, a room has been emptied out at a farm (Quinta das Albergarias) in Campelos, Portugal. The window and the entrance have been shut. Includes a conversation between the artist and Lukas Töpfer.

Quinta das Albergarias, Campelos, Portugal, 4 May–25 June 2017.

Published on the occasion of Six Works at Return Gallery, Dublin.

A text that loops and merges into one continuous narration, describing a man walking on a forest path at night on his way home.