Marcel Broodthaers worked primarily as a poet until 1963, when for the last twelve years of his life he made a richly varied, elusive, and influential body of work. The work he created in this albeit too brief time period was enormously influential to future generations of artists. Known for his associations in which he explores the nature and meaning of language, word and image, and rhetoric, his work encompasses poetry, writing, books, film, photography, slides, drawing, painting, and sculpture.

*Please note this publication is secondhand and has some traces of previous ownership.

Catalogue raisonné of forty-two films out of more than a hundred cinematographic projects initiated by Marcel Broodthaers during his career. The films, made between 1957 and 1875, show how Broodthaers established the links between cinema and other media such as books, painting, drawing, photography and sculpture. It includes two essays on his work.

*Please note this publication is secondhand and has some traces of previous ownership.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Mladen Stilinović’s exhibition Cinizam siromašnih / The Cynicism of The Poor at Museum of Contemporary Art, Zagreb, in 2001, this catalogue features texts by Nada Beroš, Tihomir Milovac, Danijel Dragojević, alongside documentation of the works Ljudi s vrećicama (Bag-People) (2001), and Pokapanje boli (Buried Pain) (2000).

The book is the first monograph dedicated to Barbara Kozłowska (1940–2008), a Wrocław artist, painter, and precursor of performance art in Poland. The study contains a detailed timeline of Kozłowska’s life and work, prepared by Marika Kuźmicz and Zbigniew Makarewicz, essays by Marika Kuźmicz, Piotr Lisowski, Karolina Majewska-Güde and Wiktoria Szczupacka, and a selection of texts by Kozłowska. The publication discusses and problematizes the artist’s work, placing it in the context of the Wrocław avant-garde of the 1960s and 1970s and in the context of the phenomenon of global conceptualism.

Francis Picabia was a French avant-garde painter, writer, filmmaker, magazine publisher, poet, and typographist. He was one of the early major figures of the Dada movement in the United States and in France and was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

*Please note this publication is secondhand and has some traces of previous ownership.