This publication contains the German philosopher Juliane Rebentisch’s seminal text Camp Materialism. Natural History in Jack Smith revised by the author and presented together with a new addendum A note on Camp Ridiculousness.
Produced on the occasion of the exhibition Jason Rhoades: The Purple Penis and the Venus at Kunsthalle Nürnberg and the Van Abbemuseum, Eindhoven, 1998.
Jason Rhoades (1965–2006) is known for monumental, room-filling installations. These idiosyncratic sculptures incorporate a wide range of objects including products of mass culture combined with hand-made items and biographical references.
*Please note this publication is secondhand and may have some traces of previous ownership.
Rosemary Mayer (1943–2014) was a prolific artist, writer, and critic, who became known both for her large-scale fabric sculptures—inspired by the lives of historical women—and her involvement in the feminist art movement.
In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects “temporary monuments,”. This publication is the first comprehensive presentation of this body of work and includes Mayer’s documentation of these impermanent artworks.
A talk by Nick Mauss and Kathy Halbreich about Rosemary Mayer’s work is here.
In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What’s Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.
Francis McKee is an Irish writer, medical historian, and curator working in Glasgow where since 2006 he has been the director of the Centre for Contemporary Arts, and is a lecturer and research fellow at Glasgow School of Art. McKee has worked on the development of open-source ideologies and their practical application to art spaces.
Designed by Julie Peeters and Valerie Arif.
In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What’s Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.
Francis McKee is an Irish writer, medical historian, and curator working in Glasgow where since 2006 he has been the director of the Centre for Contemporary Arts, and is a lecturer and research fellow at Glasgow School of Art. McKee has worked on the development of open-source ideologies and their practical application to art spaces.
Designed by Julie Peeters and Valerie Arif.
Produced on the occasion of the exhibition Ellsworth Kelly Paintings and Sculptures 1963–1979 at the Stedelijk Museum, Amsterdam, 13 December, 1979–3 February 1980.
SM Cat. No 663.
Designed by Wim Crouwel and Artlette Brouwers (Total Design).
*Please note this publication is secondhand and has some traces of previous ownership.