Produced on the occasion of Markus Raetz’s exhibition at the Stedelijk Museum, Amsterdam, 6 April–20 May, 1979. SM Cat. No 654b.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Markus Raetz’s exhibition at the Stedelijk Museum, Amsterdam, 6 April–20 May, 1979. SM Cat. No 654a.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Alina Szapocznikow’s exhibition at Galerie Cogeime, Brussels, 12 November–3 December, 1968.
Alina Szapocznikow was a polish sculptor who as a Holocaust survivor began working in the post-war period in a rather classical, figurative manner, her later experimentation and reconception of sculpture left behind a legacy of provocative objects—at once sexualized, visceral, humorous, and political—that sit uneasily between Surrealism, Nouveau Réalisme, and Pop Art. Her tinted polyester-resin casts of her lips and breasts transformed into quotidian objects like lamps or ashtrays, her spongy polyurethane forms often embedded with casts of bellies or live grass, and her construction of resin sculptures that incorporate found photographs remain as remarkably biting, visionary, and original today as when they were first made.
What does an oracle look like? gathers essays and drawings made by Perri MacKenzie between 2020 and 2024, themed loosely around pottery painting and vocal expression. The drawings, rendered in splashy India ink and collage, range from expressive sketches to theatrical still lives and experimental bandes dessinées. The book presents for the first time the essay Cathedral. Part memoir, part literary/sonic investigation, it meditates on the vocal texture of a Hollywood actor.
Designed by Ilke Gers.
Produced on the occasion of the exhibition Peter Hutchinson, Works 1964 – 1974 at the Stedelijk Museum, Amsterdam, 25 October–1 December, 1974.
*Please note this publication is secondhand and has some traces of previous ownership.
Card 7 of 10 from the series Serie 67 Daniel Spoerri 1961–1982. Featuring the work Salut les copains, with an object from Ray Johnson, 1964/65
*Please note these items are secondhand and have some traces of previous ownership.