Produced on the occasion of the exhibition Wade Guyton: Color, Power & Style, at Kunstverein Hamburg, Hamburg, 29 October, 2005–8 January, 2006. With texts by Yilmaz Dziewior, Janneke de Vries, Scott Rothkopf, Daniel Baumann.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Until Due Time, Everything Is Else by Pan Daijing. It is the sixth entry in a series of compact volumes featuring visual contributions, correspondence, responses, and conversations accompanying the Grazer Kunstverein exhibition program.

The images within this book are excerpts from a video created by Pan Daijing. This publication is intended to act as a sixth screen, aligning with a five-channel video installation on display in the exhibition at Grazer Kunstverein.

Edited by Tom Engels. Designed by Julie Peeters.

2 publications produced on the occasion of the exhibition A Reflection on the Sublime at Hiroshima City Museum of Contemporary Art, 30 March–9 June, 2024, conceived by the artist Kazuna Taguchi and structured by the artist Soshiro Matsubara. Including artists Joanne Kyger, E’wao Kagoshima, Anthony Caro, Ryusei Kishida, Klemet, Kunitaro Suda, Kazuna Taguchi, Atsuko Tanaka, Trisha Donnelly, Seiichi Furuya, Patricia L. Boyd, Tomio Miki, Nancy Lupo, Alan Longino and Emilia Wang.

With texts from Alan Longino, Emilia Wang and Jane Falk. Photography by Kazuna Taguchi.

Kazuna Taguchi’s works are based on an analogue and hands-on approach at the intersection of painting and photography: In an intricate process, the artist combines various visual sources that she paints only to photograph them in various environments and setting that suit the attributes of each painting, and ultimately incorporates elements of chance while manipulating the prints in the darkroom. Taguchi compares the multiple layers and repeated interventions that lead to a permeation of myriad textures, time planes, and narrative spaces to the work of a painter who keeps tirelessly returning to her easel and brush.

All texts by Michio Hayashi.

Produced on the occasion of Karl Holmqvist’s exhibitions at the Fridericianum, Kassel and gta exhibition/ETH Zurich. Edited by Moritz Wesseler, Fredi Fischli and Niels Olsen.

The publication includes all the writing works created over the past thirty years by the artist and author, who was born in 1964 in Sweden and now lives in Berlin. Designed by Dan Solbach.

Magali Reus’ new photographic series, Knaves documents an array of mushrooms in headshot-like close up. As though in an al fresco portrait studio, the fungi are posed against backdrops of colourful vintage t-shirts – synthetic intrusions into the natural landscape.

This artist book sets images from the series within the sepia-tinted pages of a 1990s telephone directory for Park Cities – an area of Dallas whose name acts as shorthand for the way in which urban design domesticates nature for ease of human use.

Novelist, Kathryn Scanlan’s text zooms in on a series of fleeting quotidian dramas, mobilising a cast of evocatively named characters that, like Reus’ fungal protagonists, bloom and then disappear.