Born 1978 in Chimay, Raphaël Van Lerberghe lives and works in Havré (Belgium).
Featuring Joseph Beuys, Les Levine, Krzysztof Wodiczko, Stephen Willats, New Records & Tapes, Turner Prize, Audie Awards.
Audio Arts was a British sound magazine published on audio cassettes, documenting contemporary artistic activity via artist or curator interviews, sound performances or sound art by artists.
*Please note this publication is secondhand and has some traces of previous ownership.
Embedded in the language of visual and sound poetry, the practice of Tomaso Binga (Bianca Pucciarelli Menna, born 1931 in Salerno) is based on an ironic, insightful questioning of the idea of gender. In her work, this theme is not only a generator of identity, but also a way of looking afresh at the social roles, rights and opportunities traditionally available to women. Her decision to work under a male pseudonym from 1971 onwards was intended to parody male privilege and to provoke a barbed reflection on the political dimension of what it is to be a woman. Her attitude has served as a key marker within the gender equality issues at the center of the debate raging amongst the younger generations.
Designed by Lorenzo Mason Studio.
Produced following the eponymous exhibition at Sant’Andrea de Scaphis, Rome, from November 21, to December 19, 2015.
Following the artists’ previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets.
Produced on the occasion of the eponymous exhibition at The Power Station, Dallas, April 8 – June 12, 2015.
Part document, part photographic album, this artists’ book by Jos de Gruyter and Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in the historical province of Pomerania.
Designed by Boy Vereecken and Harald Thys.
Produced on the occasion of the eponymous touring exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco; MoMA PS1, New York; and Raven Row, London, in 2015.
The conceptual duo Jos de Gruyter and Harald Thys continue in the project “Fine Arts” with their playful approach that draws on dystopian narratives. In this scenario the artists have became watercolorists; unfashionably harping back to the previous century’s pictorial tradition while basing their picture making on a range of quotidian and historical images culled from the Internet.
Designed by Boy Vereecken and Harald Thys.