Catalogue produced on the occasion of Cathy Wilkes’ exhibition in the British pavillion at the 58th International Art Exhibition – La Biennale di Venezia. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes’ exhibition features new paintings and sculptures that provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion. This catalogue presents a collection of 13 paintings produced for the exhibition. Designed by Yvonne Quirmbach.

Booklet produced on the occasion of Cathy Wilkes’ exhibition in the British pavilion at the 58th International Art Exhibition – La Biennale di Venezia. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes’ exhibition features new paintings and sculptures that provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion.

Produced on the occasion of Onion Walk and News Animation (Rehearsal), 24 January–17 February, 2018 at ReadingRoom, Melbourne.

Simone Forti is a dancer, artist, writer based in Los Angeles. She came of age artistically in the 1960s, a time of rich dialog between poets, musicians, dancers and visual artists. Her early Dance Constructions were influential to the reinventing of dance in New York that happened in the 60s and 70s. Forti has collaborated extensively with musicians Peter Van Riper and Charlemagne Palestine, basing her dancing on studies of animals’ movements and on the dynamics of circling.

Designed by Robert Milne.

Catalogue produced to accompany the exhibition ... a multitude of soap bubbles which explode from time to time…  Pino Pascali’s final works 1967–1968 at Camden Arts Centre, 4 March–1 May, 2011. With essays by Martin Holman and Christopher G. Bennett. Also includes the writings of Pino Pascali, Luca Maria Patella and Eliseo Mattiacci. Designed by Fraser Muggeridge studio.

Produced on the occasion of Raumbilder Five German sculptors in Madrid at Centro De Arte Reina Sofia in 1987. This is a single volume on the work of Reinhard Mucha from a 5 volume set.

Mucha’s meticulously constructed sculptures—he often works with industrial materials such as aluminum, float glass, felt, gloss paint, steel, or blockboard—look variously like showcases and display cabinets or like baroque theatrical installations. He moreover integrates biographical material such as a copy of his diploma from the Düsseldorf Academy of Fine Arts or a photograph that shows him as a student. Yet his purpose with such inclusions is not the personal anecdote; rather, they raise questions concerning the category of the collective—for example, to what extent social structures and the hierarchies woven into them inform our personalities.

Biegen is an artist book in which the author researches the centuries-old cultural technique of „Bäume-biegen“ (Tree bending), which was used as a material education in shipbuilding and agriculture for the  production of tools and complex components. Researching European forests, archives and libraries produced a collection of sketches, photographs, notes, historical illustrations and drawings presented here in the form of a journal.

With an essay by Helmut Draxler. In cooperation with the Merz Akademie.