Produced on the occasion of Megan Francis Sullivan’s solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project’s production and reception. The publication gives form to seemingly ephemeral connections that condense during the preparation of an exhibition. The booklet combines research material, installation photographs, as well as a series of drawings that were not in the show.

Edited by Melanie Ohnemus. Designed by Julie Peeters.

Produced on the occasion of the group exhibition Show Personality, Not Personal Items at Vleeshal, Middelburg, 28 January–1 April, 2018, including artists Leda Bourgogne, Nora Turato, Evelyn Taocheng Wang and curated by Roos Gortzak. Designed by Dorothee Dähler.

Black morning glory: A time for decolonial listening investigates the herbarius as both a lens through which we can analyse colonial representations of nature, and as a decolonial tool to explore new relationships with plant life. Considering the artistic research around some of the oldest kruidboeken in the Netherlands by artist M.A. van Tulder during her research residency at Huis van het boek — researcher E.A.E. Evans works through the history of science and botany, defined by patriarchal capitalism, to offer a contemporary way forward. The richly illustrated volume featuring plants, herbs, and their medicinal properties is a unique epistemological construction that has contributed to the exploitation of nature. Through Rolando Vázquez’s notion of decolonial listening, this publication asks readers: what could a decolonial herbarius, visually and discursively, be like today?

Short Term Eternity brings together two artists—Gordon Matta-Clark (1943–1978, USA) and Anu Vahtra (1982, Estonia)—whose practices are related to each other in many ways, even if they were born in different times and locations. The aim of the book is not just to compare their work, but to describe the circling of ideas and strategies in the art world from a non-hierarchical perspective. The book was produced on the occasion of Gordon Matta-Clark: Anarchitect. Anu Vahtra: Completion through removal, an exhibition at the Kumu Art Museum in Tallinn, 22 February–8 June,2019, curated by Sergio Bessa, Jessamyn Fiore, and Anu Allas.

Produced on the occasion of the exhibition at Musée des Arts Décoratifs, Paris, 2 October–2 November, 1969, which showcased works by Italian artists Mario Ceroli, Jannis Kounellis, Gino Marotta, and Pino Pascali.

*Please note this publication is secondhand and may have some traces of previous ownership.

August Sander was a German portrait and documentary photographer. His first book Face of our Time (Antlitz der Zeit) was published in 1929. Sander has been described as “the most important German portrait photographer of the early twentieth century”. His work includes landscape, nature, architecture, and street photography, but he is best known for his portraits, as exemplified by his series People of the 20th Century.