Paul Outerbridge, Jr. emerged in the 1920s as a bold innovator, transforming ordinary objects, such as milk bottles, collars, eggs, into fractured Cubist constructions of light and form. His platinum and silver gelatin prints reduced subjects to intersecting planes and geometric rhythms, revealing a structural beauty aligned with the avant-garde movements of his time.

*Please note this publication is secondhand and may have some traces of previous ownership.

The Swiss photographer Werner Bischof started his career in studio photography in Zürich and later documented Europe in the aftermath of World War II. He joined the famous photographers group Magnum Photos in 1949 and travelled the world.

Disliking the ‘superficiality and sensationalism of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture, something that did not endear him to picture editors looking for hot topical material. Bischof died at the early age of 38 in a car accident in the Andes of Peru.

*Please note this publication is secondhand and may have some traces of previous ownership.

Artist zine reprinted in facsimile. Beverly Buchanan is best known for her later work, her sculptures of shacks, her architectural fragmentations. But she always kept a practice deeply producing various forms of printed matter. Personal notebooks, journals, scrapbooks, artist statements, clippings, photographic materials, illustrations, business cards and various zines, all were integral in her multi-layered oeuvre and are essential in understanding how she navigated between the various elements of impermanence, control, and the monumental. They also show how she used wit and fragility as a method or even a force of emotion.

Artist zine reprinted in facsimile. Beverly Buchanan is best known for her later work, her sculptures of shacks, her architectural fragmentations. But she always kept a practice deeply producing various forms of printed matter. Personal notebooks, journals, scrapbooks, artist statements, clippings, photographic materials, illustrations, business cards and various zines, all were integral in her multi-layered oeuvre and are essential in understanding how she navigated between the various elements of impermanence, control, and the monumental. They also show how she used wit and fragility as a method or even a force of emotion.

Artist zine reprinted in facsimile. Beverly Buchanan is best known for her later work, her sculptures of shacks, her architectural fragmentations. But she always kept a practice deeply producing various forms of printed matter. Personal notebooks, journals, scrapbooks, artist statements, clippings, photographic materials, illustrations, business cards and various zines, all were integral in her multi-layered oeuvre and are essential in understanding how she navigated between the various elements of impermanence, control, and the monumental. They also show how she used wit and fragility as a method or even a force of emotion.