Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is recognized for her iconic collaged black-and-white photographs, overlaid with declarative captions. These phrases paired with such pronouns as “you,” “your, “I,” “we,” and “they,” address cultural constructions of power, identity, consumerism, and sexuality. Kruger utilizies mass communication and advertising techniques to explore these issues and is aligned with with such feminist post modern artists as Jenny Holzer and Sherrie Levine who implement similar techniques.

*Please note this publication is secondhand and has some traces of previous ownership.

Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is recognized for her iconic collaged black-and-white photographs, overlaid with declarative captions. These phrases paired with such pronouns as “you,” “your, “I,” “we,” and “they,” address cultural constructions of power, identity, consumerism, and sexuality. Kruger utilizies mass communication and advertising techniques to explore these issues and is aligned with with such feminist post modern artists as Jenny Holzer and Sherrie Levine who implement similar techniques.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Between Poetry and Painting at the Institute of Contemporary Art, London, 22 October – 27 November, 1965.

Artists includes: Pierre Albert-Birot, Nanni Balestrini, Thomas Bayrle/Bernhard Jäger, Claus Bremer, Henri Chopin, Bob Cobbing, Kenelm Cox, Klaus-Peter Dienst, Rolf-Gunter Dienst, Reinhard Döhl, Tom Edmonds, Ian Hamilton Finlay, John Furnival, Heinz Gappmayr, Pierre Garnier, P. A. Gette, Eugen Gomringer, Raoul Hausmann, Bernard Heidsieck, Josef Hirsal, Dom Sylvester Houédard, Ernst Jandl, Thomas Kabdebo, Jiří Kolář, Ferdinand Kriwet, John Latham, Roberto Altmann, Isidore Isou, Maurice Lemaître, Gio Minola, Roland Sabatier, Jacques Spacagna, Hansjörg Mayer, Franz Mon, Edwin Morgan, Ronaldo Azeredo, Augusto de Campos, Haroldo de Campos, Décio Pignatari, Pedro Xisto, Ladislav Novak, Antonio Porta/Romano Ragazzi, Josua Reichert, Diter Rot, Gerhard Rühm, John Sharkey, Hans Staudacher

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition A translation from one language to another, Part 2, at Cultural Centre Strombeek, Grimbergen, 22 March – 22 May, 2019)

The Documenta 14 Score was conceived in the context of documenta 14 Athens-Kassel from 2015 to 2017.

With scores by Pierre Bal-Blanc, Marie Cool Fabio Balducci, Yael Davids, Maria Eichhorn, Anna Halprin, Maria Hassabi, David Lamelas, Prinz Gholam, Ashley Hans Scheirl, Kostas Tsioukas, Annie Vigier & Franck Apertet (les gens d’Uterpan), Lois Weinberger and Artur Żmijewski

Anna Viebrock studied stage design at the Kunstakademie Düsseldorf. Her collaboration with Christoph Marthaler has taken her to numerous theatres such as the Volksbühne Berlin, the Schauspielhaus Hamburg, the Frankfurt Opera, the Opéra de Paris, the Teatro Real Madrid, the Salzburg and Bayreuth Festivals, the Wiener Festwochen, the Festival d’Avignon and the Schauspielhaus Zürich, where she was a member of the management team until summer 2004. Since 1994, she has worked on opera productions with the Jossi Wieler/Sergio Morabito directing team and designed stages for René Pollesch and Sidi Larbi Cherkaoui.

*Please note this publication is secondhand and has some traces of previous ownership.

Program produced for the production of The Lords and Ladies of Little Egypt at the Institute of Contemporary Art, London, 13 – 18 September, 1988.

*Please note this publication is secondhand and has some traces of previous ownership.