Presents the work and life of this essential typographer, until now too little known outside the circle of his friends and students. Froshaug was a deep and charismatic thinker-practitioner, whose insights return us to the fundamentals of typography. The book consists of two interacting volumes: the solid record of the work is placed against the contingencies of the life. A traditional monograph is unsettled by an exploration in documentary.

*Please note this publication is secondhand and has some traces of previous ownership.

Poster produced on the occasion of Rosemarie Trockel’s exhibition Müllers Tochter at the Kunstverein Schwerte, 7 December, 1990 – 13 January, 1991.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition at Musée d’art moderne de la Ville de Paris, 2 March – 22 April, 1990.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition at Ausstellungshallen Mathildenhöhe, Darmstadt, 20 March – 19 April, 1987.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Daniel Buren’s exhibition at the Stedelijk Museum, Amsterdam, 30 April – 7 June, 1976. With texts from Michel Claura and Germano Celant. Designed by Total Design.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Patty Chang: Glass Urinary Devices at A Tale of A Tub, Rotterdam, 14 September – 3 November, 2024. In 2015, American artist Patty Chang followed the South-to-North Water Diversion Project, the longest aqueduct in the world, which brings water from southern to northern China. While walking, she collected her urine in discarded plastic bottles found along the way, drawing a connection between the large-scale infrastructural attempt to control the flow of water and the uncontrollable flows of her own body. Once back in Boston, Chang made a series of hand-blown glass sculptures modelled on the plastic bottles that she utilised during her journey. For Chang’s exhibition at A Tale of A Tub, a collection of these prosthetic-like sculptures will be presented on the ground floor, reflecting on the flow of water that once passed through the former washhouse alongside Chang’s own ruminations on water as a metaphorical point of departure for geopolitics, human excess and waste.