“A series of meditations following the sun, Seasons arrives in mesmerizing waves of observation and reflection. The blue depths of Adnan’s inquiry—into the nature of Being, Time, knowledge itself—crest moment upon moment of quiet revelation, as the passions of history, myth, today, and yesterday rage and subside beneath her watchful eye. ‘To think is not to contemplate, it’s to witness.’ So stanzas wash upon the page’s horizon, ever moving toward the mind’s encounters with the world. Intimate with ephemera, alert to what’s hidden, Seasons seeks the universe within and beyond the spirit’s changeable weather, finding everywhere its center.”—Megan Pruiett

“Written against the background of war at the turn of this century, this millennium—the Gulf War, the Lebanese civil war and the military occupations of that country, the author’s country of origin—these letters, Of Cities & Women, are in their turn now letters to cities and women—that we, that is, women and men alike, might eventually, before it is too late, ‘find the right geography for our revelations.'”—Barbara Harlow

Winner of the 2020 International Griffin Prize. On October 27, 2003, Etel Adnan received a postcard from poet Khaled Najar, whom she had met in the late seventies. Originally in French, the poems it sparked collapse time, then expand it. War and love intertwine with coffee and bombs, memory and the present, evoking life in non-linear time. Originally written in French, this translation by Sarah Riggs is the first in English.

American sculptor, Eva Hesse (b. 1936, Hamburg; d. 1970, New York) is best known for her pioneering work with materials such as rope, latex and fibreglass. She is regarded as one of the artists who ushered in PostMinimalism in the late 1960s.

Her diaries from 1955 to 1970 served as a tool for the artist to analyse her experience of the world and express her feelings.

Produced on the occasion of the exhibition, Ron Nagle: Lincolnshire Squire at Modern Art, London, 10 September–18 December 2020.

Mixing traditional materials such as ceramic and porcelain with epoxy resin and catalysed polyurethane, Nagle’s works attain an almost impossible physical quality, their indefinability echoed in the deft wit of their titles, such as Vapor Caper or Curly Centurion. This catalogue illustrates 22 new works by the artist and features an essay by Dan Fox, former Frieze magazine Editor-at-Large.

Produced on the occasion of Richard Tuttle’s exhibition Kill Someone: Arbeiten Auf Papier, at Christian Lethert, Köln, 6 September–31 October, 2019.