A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party. With scores by Július Koller, Marie Cool Fabio Balducci, La Monte Young, George Brecht, Cornelius Cardew, Lawrence Weiner, Roman Ondák and others.

Designed by Vier5.

Produced on the occasion of Christodoulos Panayiotou’s exhibition at galerie Kamel Mennour, Paris, 15 October–24 November, 2018.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material.

With a foreword by Jean Capeille.

Produced on the occasion of Motion, a major exhibition by Dutch artist, graphic designer, and educator Karel Martens at Kunstverein München. Co-edited by Martens and Julie Peeters, the bulk of the content for this book comes from the video Not for Resale—a sequence of photographs from Martens’ studio wall in Hoog Keppel in 2000. The videos Lost & Found (2004), and Tol (2008) are also included in the book, as well as a transcription of a conversation between Martens and Kunstverein director Chris Fitzpatrick.

Designed by Julie Peeters.

The New Zealand-born artist Fiona Connor makes sculptural installations in which she replicates objects and structures of everyday life. Her recreations of bulletin boards, drinking fountains, furniture, and doors not only draw attention to these widely overlooked items and their forms, they also reconstruct the histories and micro-economies of communities. Many of her works respond to the infrastructure of the places and environments where she exhibits them, uncovering the underlying mechanisms that may inform our interactions with art and art institutions.

Texts by Sarah Lehrer Graiwer, Travis Diehl, Jan Bryant, and Kimberli Meyer. Designed by Fount–via.

Produced on the occasion of the exhibition Diözesanmuseum Köln zu Gast: Paul Thek at Kunst-Station St. Peter in Köln, 29 March–29 June, 1997.

Amateur is the first comprehensive publication about Wendelien van Oldenborgh‘s moving image works, and their accompanying installations. Developed over the past ten years of her practice, Wendelien van Oldenborgh’s works explore communication and interaction between individuals, often against the backdrop of a unique public location, in order to cast attention on repressed, incomplete, and unresolved histories. Through the staging of these encounters on film, van Oldenborgh enables multiple perspectives and voices to coexist, and brings to light political, social, and cultural relationships and how they are manifested through social interactions.

Designed by Julia Born.