Folded newspaper with drawings, edition of 300.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.

Produced on the occasion of the exhibition Marc Nagtzaam / Selected Works, November–December 2006, Homework, Maastricht.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.

Artist book with text drawings by Marc Nagtzaam, made between 1992 and 2019. Complementary to the writings, 24 artists contributions are inserted throughout the book. With contributions by Mark Manders, Louis Lüthi, Sue Tompkins, Stephan Keppel, Steve Van den Bosch, Nickel van Duijvenboden, Sophie Nys, Pierre Leguillon, Batia Suter, Experimental Jetset, Na Kim, Tim Hollander, Lily van der Stokker, Karin Herwegh, Karel Martens, Ruth Wolf-Rehfeldt, Kasper Andreasen, Jochen Lempert, gerlach en koop, Henri Jacobs, Anne-Mie Van Kerckhoven, Marijn van Kreij, and Willem Oorebeek.

As a continuation of the first Roma publication, SOME, dating from 1998, this book marks the 20+ years anniversary of Roma Publications. Designed by Marc Nagtzaam and Roger Willems. In an edition of 400, signed and numbered

Consisting of eight drawings by Marc Nagtzaam: As Far as I’m Concerned, 13 JAN.1973 / JULY 4, 1973, Ins and Outs, Not One, Not Two but Three, The Sound of Something Happening, Pantone, Polaroid & To the White Sea and Beyond. Edition of 400.

Double Page was a 6 part periodical produced by Annemarie Verna Galerie, Zurich. This second edition, from December 1976, is devoted to the work of Giorgio Griffa.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman’s vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages. Born 1961. Paul Elliman lives and works in London.