Produced on the occasion of the exhibition at Ausstellungshallen Mathildenhöhe, Darmstadt, 20 March – 19 April, 1987.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Daniel Buren’s exhibition at the Stedelijk Museum, Amsterdam, 30 April – 7 June, 1976. With texts from Michel Claura and Germano Celant. Designed by Total Design.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Patty Chang: Glass Urinary Devices at A Tale of A Tub, Rotterdam, 14 September – 3 November, 2024. In 2015, American artist Patty Chang followed the South-to-North Water Diversion Project, the longest aqueduct in the world, which brings water from southern to northern China. While walking, she collected her urine in discarded plastic bottles found along the way, drawing a connection between the large-scale infrastructural attempt to control the flow of water and the uncontrollable flows of her own body. Once back in Boston, Chang made a series of hand-blown glass sculptures modelled on the plastic bottles that she utilised during her journey. For Chang’s exhibition at A Tale of A Tub, a collection of these prosthetic-like sculptures will be presented on the ground floor, reflecting on the flow of water that once passed through the former washhouse alongside Chang’s own ruminations on water as a metaphorical point of departure for geopolitics, human excess and waste.

Published on the occasion of the Michael Snow retrospective, held at Anthology Film Archives, New York, 3 December–14 December, 2021. Including the full series texts, a filmography, a republished piece by P. Adams Sitney from 1976, and Raymond Foye’s 2021 interview with Snow.

Produced on the occasion of the screenings Selected Video Works (1970-1991) of Michel Auder’s work that took place at Anthology Film Archives, from 20 May–22 June, 1991. This publication includes an introduction by Jonas Mekas, and descriptions of the screenings, along with corresponding film stills.

This publication focuses on On Kawara’s previously unstudied five-year stay in Tokyo, where he was part of influential avant-garde art student associations and wrote many pieces of art criticism. His violent and grotesque imagery from this period is in stark contrast to his streamlined conceptual date paintings.

Reproducing the complete Bathroom series (1953–54), Events in a Warehouse (1954), and a number of figurative paintings and drawings executed in Japan. The latter half of this book is a collection of newspaper headlines from 1952 to 1956 in both languages, printed on newsprint.

*Please note this publication is secondhand and has some traces of previous ownership.