CIX (2024) is a work by Daniel Gustav Cramer consisting of 50 printed sheets of paper inserted separately into 50 publications
CIX (2024) is a work by Daniel Gustav Cramer consisting of 50 printed sheets of paper inserted separately into 50 publications
Produced on the occasion of Maria Bartuszová’s first major exhibition, Sculpture Works I. 1962–1987, presented at ZSVU Exhibition Hall, Košice, Slovakia, in 1988.
Known for her inventive approaches to form and material, Bartuszová created a prolific body of ethereal and evocative sculptures over the course of three decades. The Slovak artist developed a distinctive sculptural language that was guided by her own pioneering methods of casting plaster.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Marietta Mavrokordatou’s exhibition GIRL at Thkio Ppalies, Nicosia, 29 September – 5 November, 2023. With a text by Hannah Regel.
More information on the Thkio Ppalies exhibition can be found here, and also a later iteration at Brunette Coleman, London here.
Born 1996, in Cyprus, Marietta Mavrokordatou lives and works in London. She explores the potential forms of the photographic medium. By redefining autobiographical elements, which she uses as points of reference, a new way of perceiving is presented through her own eyes.
Published in association with the first major survey exhibition of Kai Althoff’s work organized by the Institute of Contemporary Art, Boston, Kai Kein Respekt documents the most important aspects of his work over the past fifteen years. Full-color illustrations of Althoff’s drawings, watercolors, collages, paintings, photographs, performances, and installations present a comprehensive overview of his complex and varied oeuvre. Essays by the exhibition curator, Nicholas Baume; MCA Chicago curator Francesco Bonami; leading German cultural critics Diedrich Diederichsen and Olaf Karnik in addition to several texts by the artist provide a thoughtful and detailed account of Althoff’s work and its significance.
Produced on the occasion of the exhibition Kai Althoff: Kei Kein Respekt (Kai No Respect) at the Institute of Contemporary Art, Boston, May 26 – September 6, 2004
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition In search of Eulenkippstadt at Robert Prime Gallery, London, March 6 – 19 April, 1996.
*Please note this publication is secondhand and has some traces of previous ownership.