The first Czech translation of Andy Warhol’s famous 1975 book, The Philosophy of Andy Warhol (From A to B and Back Again). An assemblage of vignettes about love, beauty, fame, work, sex, time, death, economics, success, and art, among other topics.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Andy Warhol – Motion Pictures, curated by Klaus Biesenbach at Galerie Rudolfinum, Prague, 29 January–5 April, 2009.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Andy Warhol – Motion Pictures, curated by Klaus Biesenbach at Galerie Rudolfinum, Prague, 29 January–5 April, 2009.

*Please note this publication is secondhand and may have some traces of previous ownership.

A collection of 50 monoprints by Dutch graphic designer Karel Martens, printed on the pages of a booklet with numbered cloakroom tickets that Martens had kept in his studio for many years, with the intention of one day printing a layer on top of them. The monoprints are all reproduced front and back, at their original scale.

A comprehensive exhibition catalogue that accompanies the eponymous survey of Lutz Bacher’s work at Astrup Fearnley Museet, Oslo and Wiels, Brussels. In addition to extensive illustrations of the artworks from both exhibitions, the book contains new essays by Kate Nesin, Juliane Rebentisch and Emily LaBarge as well as a foreword by the exhibition curators Solveig Østebø, Helena Kritis and Dirk Snauwaert.

Designed by Julie Peeters.

Produced on the occasion of Beatrice Bonino’s exhibition If I did, I did, I die at Jacqueline Sullivan Gallery, New York, 23 February–15 April, 2023.

In her work Beatrice Bonino explores the subtle interplay of texture, visibility, and material connotations, thus developing an idiosyncratic visual language. Often starting with containers or broader interpretations of domestic space her practice invites a reconsideration of these objects’ symbolic and sensory qualities. Subtle acts of compression and juxtaposition transform old materials — boxes, plastic, vinyl, curtains — into something else.