Collected Printed Matter 1971–2020
Richard Nonas
Published by Tonini Editore, Gussago, 2023, 176 pages (b/w ill.), 17 × 23 cm, English
Price: €28 (Out of stock)

Richard Nonas: Collected Printed Matter 1971–2020 is a tribute to an artist who has superbly captured the essence of the artist’s book, the poster and the invitation as well, by integrating them as symbiotic components into his artistic research; that is, a poetic narrative contaminated by those memories of landscapes and figures that have animated his personal history and that have never left him. This book showcases 138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner). Richard Nonas (1936–2021) was a major figure in American post-minimalism.

#2023 #ephemera #richardnonas #toninieditore
Gerwald Rockenschaub
Published by Galerie nächst St. Stephan, Vienna, 1986, card (colour ill.), 15 × 21 cm, German
Price: €15 (Out of stock)

Invitation card produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.

#1986 #ephemera #gerwaldrockenschaub #painting
Gerwald Rockenschaub
Published by Galerie nächst St. Stephan, Vienna, 1986, unpaginated (colour ill.), 21 × 22 cm, German
Price: €19 (Out of stock)

Publication produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.

#1986 #gerwaldrockenschaub #painting
Curtis Cuffie
Published by Blank Forms New York, 2023, 256 pages (colour & b/w ill.), 20 × 27.3 cm, English
Price: €38

Born in Hartsville, South Carolina, Curtis Cuffie moved to New York as a teenager, first residing with his brothers in Brooklyn. In his adult life, Cuffie spent time unhoused in the streets of Manhattan where he found both inspiration and materials for his work as an artist. Cuffie’s sculptures interpret material street culture in the 1990s and early 2000s, using discarded and found objects assembled and transformed into collaged figures that speak to both the abject reality of urban surplus as well as the magical alchemy of artistic creation. Built by Cuffie outdoors, primarily on the sidewalks around Astor Place and along the Bowery, his sculptures were subject to the whims of weather, police interference, and the sanitation department, as well as Cuffie’s own continued interventions into his work. Edited by Scott Portnoy and Robert Snowden with Ciarán Finlayson and designed by Julie Peeters.

#2023 #blankforms #curtiscuffie #juliepeeters #robertsnowden #scottportnoy
SculptureCenter
Fiona Connor
Published by SculptureCenter, New York, 2019, Recycled paper, shrink wrap, 17.8 × 22.9 cm, English
Price: €100

An artist book project made from printed material recycled from SculptureCenter’s offices and storage areas, produced onsite during a series of workshops in the gallery between June 7–16, 2019. Leftover printed material were mulched and soaked, then reconstituted in catalog-sized blocks that will function as the exhibition’s publication. They were subsequently screen-printed with a title (Fiona Connor, SculptureCenter) and the names of the workshop participants. Edition of 192.

#2019 #artistbook #artistedition #fionaconnor
F.R. David: “Zeros and Ones”
Will Holder, Kathrin Bentele, Anna Gritz, Ghislaine Leung (eds.)
Published by Uh Books, Brussels and KW Institute for Contemporary Art, Berlin, Spring 2023, 180 pages (colour & b/w ill.), 12 × 19 cm, English
Price: €11

Riffing off the title, this volume includes an interview with Carolyn Lazard—an artist whose conceptual and often spare videos, sculptures, installations, and performances explore the full amplitude of relation—by Catherine Damman, plus a feature on New York-based contemporary artist Tishan Hsu, whose practice examines the “embodiment of technology”, and contributions by time-based media artist Silvia Kolbowski, for whom political resistance, the unconscious, and structures of spectatorship are a central concern of all her projects; choreographer and dancer Yvonne Rainer; and science fiction author Octavia Butler. Edited with Kathrin Bentele, Anna Gritz, and Ghislaine Leung. Including the work of Lutz Bacher, stanley brouwn, Jay Chung & Q Takeki Maeda, Hanne Darboven, Jef Geys, Tishan Hsu, Pope L., Louise Lawler, Carolyn Lazard, Ghislaine Leung, Lee Lozano, Henrik Olesen, Sarah Rapson, Margaret Raspé, Ketty La Rocca, Sturtevant, Martin Wong and Octavia E. Butler.

#2023 #annagritz #carolynlazard #frdavid #ghislaineleung #hannedarboven #henrikolesen #jaychungandqtakekimaeda #jefgeys #kathrinbentele #kettylarocca #kwinstituteforcontemporaryart #leelozano #louiselawler #lutzbacher #margaretraspe #martinwong #octaviaebutler #popel #sarahrapson #stanleybrouwn #sturtevant #tishanhsu #uhbooks