They will flee like chaff scattered by the wind or like dust whirling before a storm was produced as a commission by British artists Hannah Quinlan & Rosie Hastings for 1856, with proceeds going towards future programming.

This edition of two prints brings together the Michelangelo sketch, Archers Shooting at a Herm, with a scene of modern revolt against a hostile white police force, depicting the tense relationship between states of power and the LGBTQ+ community. Quinlan & Hastings’ diptych represents an unruly clash of registers such as the disciplining power of the state, here depicted in a moment of crisis, and the rebellious energy of the people who protest and occupy public spaces.

A special edition signed and numbered by the artists can be purchased directly from 1856, details can be found here.

First published in 1994, Camino Road is artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness.

Originally created as part of Green’s contribution for the group exhibition Cocido y crudo/The Cooked and the Raw at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the text is written in both English and Spanish, and accompanied by an appendix of photographs and ephemera tracing Madrid’s La Movida, a Spanish countercultural moment from the 1980s.

Produced on the occasion of Jacqueline Mesmaeker’s exhibition at Vleeshal, Middelburg, 14–26 January, 1982.

The work of Jacqueline Mesmaeker is intangible, discreet and captivating. Starting from analytical intentions and experimental protocols linked to perception and representation, her practice remains anchored in a literary and poetic universe, including references to Lewis Carroll, Mallarmé, Melville or Paul Willems. Minimal, sometimes even unnoted, her rare and precise work is nonetheless present. It willingly takes over space, playing with the actual and symbolic architecture, revealing the structures and lines of force, but also the errors, by thwarting their perspectives or correcting them with delicate touches.

This publication is an unedited reprint of the catalogue originally published by de Appel in 1980 as a follow-up to the international art manifestation Works and Words. The event sought to break with the one-way traffic of Western artists traveling to the East by inviting artists from Eastern Bloc countries to Amsterdam. The invited artists, theoreticians, film-makers, and art historians represented a broad spectrum of practices, theoretical approaches, and developments. Including artists such as; KwieKulik (Zofia Kulik and Przemysłav Kwiek), Július Koller, Jiří Kovanda, Dóra Maurer, Sanja Iveković and Dalibor Martinis, Mladen Stilinovic, Jozef Robakowski amongst others.

You can find more information on the exhibition here.

With a text by Ad Petersen in Dutch and English.

SM Cat. No 671.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.

Jochen Gerz is a German conceptual artist who lived in France from 1966 to 2007. His work involves the relationship between art and life, history and memory, and deals with concepts such as culture, society, public space, participation and public authorship. After beginning his career in the literary field, Gerz has in the meantime explored various artistic disciplines and diverse media.