Lily van der Stokker has been renowned since the early 1990s for her playful wall paintings in bright colours. Floral motifs and ornamental clouds are dominant patterns in world whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire and irony are hallmarks of van der Stokker’s oeuvre.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Lily van der Stokker’s exhibition wallpaintings at Feature Inc., New York, 13 November–22 December, 1999.

Lily van der Stokker has been renowned since the early 1990s for her playful wall paintings in bright colours. Floral motifs and ornamental clouds are dominant patterns in world whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire and irony are hallmarks of van der Stokker’s oeuvre.

*Please note this publication is secondhand and may have some traces of previous ownership.

Lily van der Stokker has been renowned since the early 1990s for her playful wall paintings in bright colours. Floral motifs and ornamental clouds are dominant patterns in world whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire and irony are hallmarks of van der Stokker’s oeuvre.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Lily Van Der Stokker’s exhibition Curlicue; muurschilderingen en tekeningen at Galerie van Gelder, Amsterdam, 3 September–1 October, 1994.

Lily van der Stokker has been renowned since the early 1990s for her playful wall paintings in bright colours. Floral motifs and ornamental clouds are dominant patterns in world whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire and irony are hallmarks of van der Stokker’s oeuvre.

*Please note this publication is secondhand and may have some traces of previous ownership.

Lily van der Stokker is recognised for her exuberant and decorative murals. Her work is ostensibly about things like beauty, friendship, and kindness, or about everyday activities such as tidying up or visiting the doctor – subjects seldom encountered in contemporary art. Yet her conceptual approach gives these ordinary things an entirely new dimension. Published in conjunction with an exhibition of Van der Stokker’s work at the Stedelijk Museum Amsterdam, this book presents the themes that have typified her work since the 1990s. The close involvement of the artist in its making is apparent in its playful visual references. Essays by the two curators offer context and background.

Produced on the occasion of Sands Murray-Wassink’s exhibition Above average looking / Accessible lives (Somatopower) at Städtische Kunsthalle München, 16 November, 2007–27 January, 2008.

A cult queer personality on the Amsterdam art scene for almost twenty years, Sands Murray-Wassink (born in 1974 in Topeka, Kansas, USA. Lives in Amsterdam) is a painter, body artist and bipolar writer, perfume collector, strongly influenced by the multiple manifestations and evolutions of intersectional feminist queer art of which the artists Carolee Schneemann, Hannah Wilke and Adrian Piper are the essential references.