Job Interviews
Chris Evans (Ed.)
Published by Uh Books, Brussels, 2017, 60 pages (colour & b/w ill.), 13.6 × 27.8 cm, English
Price: €22

Edited and illustrated by Chris Evans, and co-published with Para Site, Hong Kong.

“The ritual of the job interview can be considered as a courtship that’s conditioned by protocols that ask for a quite particular display: with social relations as material, a dance of conformity, the attempted imagining and echoing of expectations.”

This anthology of commissioned writing includes contributions by Nadim Abbas, Howie Chen, Heman Chong, Matthew Dickman, Jason Dodge, Angie Keefer, Holly Pester, Natasha Soobramanien, Marina Vishmidt, and Jonas Žakaitis. Designed by Will Holder.

#2017 #angiekeefer #chrisevans #hemanchong #jasondodge #jonaszakaitis #marinavishmidt #matthewdickman #natashasoobramanien #uhbooks #willholder
High Level Margins With A Catalogue
Nedko Solakov
Published by Kunstverein, Amsterdam, 2010, unpaginated (b/w ill.), 20 × 16.5 cm, English
Price: €10

The publication was produced as part of the exhibition High Level Margins With a Catalogue at Kunstverein, Amsterdam by Nedko Solakov, 18 September–21 November 2010 and served as a reading device for the stories displayed on and around the margins of Kunstverein’s 3.5m high ceiling.

#2010 #kunstvereinamsterdam #kunstvereinpublishing #nedkosolakov
Second Thoughts
Angie Keefer
Published by Kunstverein, Amsterdam, 2019, 512 pages (b/w ill.), 14 × 21 cm, English
Price: €25

Second Thoughts, co-published by Kunstverein, Amsterdam, and Plug In ICA, Winnipeg, follows Kunstverein’s earlier publication, Paper Exhibition: Selected Writings by Raimundas Malašauskas, as the second in a series featuring the work of an author whose writing has never before been collected in a dedicated, single object. This collection of essays spans multiple research disciplines, including Angie Keefer’s own biography, and runs parallel to her artistic practice. All of the texts were commissioned and published previously, but many have been rewritten for this book. Keefer deftly brings together technological inquiry with artistic production and quotidian human experience.

#2019 #angiekeefer #kunstvereinamsterdam #kunstvereinpublishing
keyon gaskin, NASHA
d.a. carter
Published by If I Can’t Dance I Don’t Want to Be Part of Your Revolution, Amsterdam, 2019, 12 pages, 10.5 × 15 cm, English
Price: €5

Produced on the occasion of NASHA, a work by keyon gaskin commissioned by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution as part of VII–Social Movement (2017–18) curated by Frédérique Bergholtz and Susan Gibb. Performers Samiya Bashir, d.a. carter, keyon gaskin, sidony oneal, Adee Roberson, Raoni Muzho Saleh, and Joy Mariama Smith.

Designed by Will Holder.

#2019 #ificantdanceidontwanttobepartofyourrevolution #keyongaskin #willholder
MYRIAM LEFKOWITZ, LA BIBLIOTHÈQUE
Susan Gibb
Published by If I Can’t Dance I Don’t Want to Be Part of Your Revolution, Amsterdam, date, 24 pages, 10.5 × 15 cm, English
Price: €5

Produced on the occasion of La Bibliothèque, a work by Myriam Lefkowitz commissioned by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution as part of VII – Social Movement (2017–18) curated by Frédérique Bergholtz and Susan Gibb. Performers Lendl Barcelos, Alkis Hadjandreou, Annick Kleizen, Myriam Lefkowitz and Zoe Scoglio.

Designed by Will Holder.

#2019 #ificantdanceidontwanttobepartofyourrevolution #susangibb #willholder
Lynda Morris / Dear Lynda…
Published by White Columns, New York, 2012, 100 pages (cb/w ill.), 21 × 29.7 cm, English
Price: €18

Produced on the occasion of the exhibition Lynda Morris / Dear Lynda… at White Columns, New York and Chelsea Space, London, 2012.

An exhibition that considers the ongoing practice of the British curator and writer Lynda Morris. As with the term ‘artist’s artist’ there should perhaps be an additional category of ‘artist’s curators’ for which Morris would be an exemplary figure. Having worked for most of her career in regional British cities (inc. Nottingham and Norwich), Morris’ ongoing advocacy for the social realities and political necessity of art is evident in her most recent major project “Picasso: Peace and Freedom” an exhibition and accompanying book that she organized for Tate Liverpool, England, a project that considered the legacy of Picasso’s involvement in and support of the Peace movement.

Including the work of Art & Language, Gilbert & George, Andre Cadere, John Baldessari, David Lamelas (whose early works Morris appeared in), Richard Hamilton, Bernd and Hilla Becher, Marcel Broodthaers, Gustav Metzger, Stephen McKenna, Nigel Henderson, John Wonnacott, Jeremy Deller, Lucy McKenzie, Marc Camille Chaimowicz, John Stezaker, and more—White Columns press release

#2012 #andrecadere #artamplanguage #davidlamelas #gilbertampgeorge #lyndamorris #marccamillechaimowicz