Publication produced on the occasion of the exhibtion Man Ray, to commemorate the centenary of the artist’s birth. Travelling to the following locations; Sezon Museum, 29 September–4 November, 1990; Tenjin Daimaru, Fukuoka 14 March–26 March, 1991; Yokohama Museum of Art, 6 April–8 May, 1991; Kyoto Daimaru Museum, Kyoto 15 August– 20 August, 1991.

2 softcover volumes, dedicated to the sculptural practice and photographic practice separately.

A set of 8 postcards in a plastic slipcase, produced by Janet Burchill and Jennifer McCamley in 2002.

Catalogue of an exhibition held at Künstlerhaus Bethanien, Berlin, 27 November–13 December, 1993 by Australian artists Janet Burchill and Jennifer McCamley. Catalogue essay in English and German by Rex Butler.

GRAPEVINE~ documents an exhibition curated by artist Ricky Swallow at David Kordansky Gallery during the summer of 2013. It focuses on the work of five California-based artists who redefined the use of clay in contemporary art, and includes images of works created over a period of more than 50 years. Ceramic sculptures by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, and Peter Shire exemplify the ways in which the medium underwent dramatic changes after World War II. Also included are select works by other artists influential in this dialogue, such as Ken Price and Peter Voulkos. An essay by Swallow explores the movement’s idiosyncrasies and cross-currents, as well as its influence on subsequent generations of artists.

Text: Ricky Swallow. Photography: Fredrik Nilsen. Design: Sinisa Mackovic & Robert Milne.

Produced on the occasion of Continuous Moment: Trans-Company, The Other Side, 9 February–17 April, 2015.

Continuous Moment: Trans-Company is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light,Continuous Moment: Trans-Company can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text by Nik Papas. Designed by Warren Taylor.

Produced on the occasion ofContinuous Moment: Big Foot’s Studio, VCA Margaret Lawrence Gallery, 5 October–5 November, 2016.

Continuous Moment: Big Foot’s Studio is part of Bertoli’s ongoing research and investigation into Picasso’s play Le Désir Attrapé par la Queue (Desire Captured by the Tail). Referring to both a 1944 reading of the play and a staging of the play in 1967 by Jean Jacques Lebel, Bertoli’s work addresses ideas of repetition, reprise and continuity. Like Picasso’s text and Lebel’s production, Bertoli draws on a vast network of references and influences. In this light, Continuous Moment: Big Foot’s Studio can be understood as an assemblage of existing voices through which Bertoli is part of the aggregating authorship around ‘Le Désir’.

Text By Rex Butler. Designed by Warren Taylor.