Produced on the occasion of the exhibition Man Ray: fotografie at Museum Kampa, Prague, 26 June–18 August, 2002.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of the exhibition Man Ray: Photographe at Centre Georges Pompidou, Paris, 10 December, 1981,–12 April, 1982.
*Please note this publication is secondhand and may have some traces of previous ownership.
An artists’ book gathering photographic works by Yair Oelbaum, followed by a note by the artist on his process, from his experiments with a Macro 5 Polaroid camera—a camera originally intended for dental and crime scene photography—to his creation of images of “transient arrangements on an array of surfaces.”
Produced on the occasion of Heimo Zobernig’s exhibition at Galerie Soucasného Uméni, Dúm Uméni, 29 November–31 December, 2007.
Completed shortly before John Morgan’s death in September 2025, Baskerville’s Teardrop Explodes: A Selection of Books as Muses gathers 31 books that shaped his imagination. Chosen for their visual presence and associative charge, these volumes influenced his practice as a book designer in distinct ways. Together, they form a personal Library of Muses reflecting the contradictions and layered sensibilities of his work. Selections range from titles prized for colour, materiality, or attitude to those evoking memory, romance, anxiety, humour, or failure. Each Muse carries its own energy – heroic, imperfect, excessive, modest, resonant – guiding Morgan’s creative direction and vision.
A video catalogue of the exhibition CONTINENTAL DRIFT (Conceptual Art in Canada: The 1960s and 70s) at Badischer Kunstverein, Karlsruhe, Germany, 19 April – 8 September, 2013. It was then compiled and *extremely compressed* into 24 minutes and 1 second by Dexter Sinister. The video is in English with an accompanying German transcript in this booklet. CONTINENTAL DRIFT was the first major survey of conceptual art in Canada, to be presented in Europe. It followed the emergence of local, hybrid practices and global networks within the context of the 1960s and 70s economic, social, and technological revolutions.