The films and theoretical works by Trinh T. Minh-Ha blend different forms of writing and narrating; the mutual challenge of the theoretical and the poetical, discursive and “non-discursive” languages tell of Trinh T. Minh-Ha’s resistance against categorizations and limitations, which is carried out right across ethnicities and cultures.

Produced on the occasion of the exhibition Trinh T. Minh-ha, at Secession, Vienna, 7 March– 22 April, 2001.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Philosopher of her own Ruin at the Bonner Kunstverein, 23 February–27 July, 2025. Curated by Alan Longino and featuring the work of Dusti Bongé, Rosemarie Castoro, Anna Bella Geiger, Susan Hiller, Ishiuchi Miyako, Lisa Robertson, Bertram Schmiterlöw, Sydney Schrader, Linda Semadeni and Tokiwa Toyoko.

“This exhibition and its attendant research follow the path of an entity, once a person, who passed from a moment of hypervisibility into invisibility at a critical juncture in their life. It was in this later moment of life, when their body had undergone a previously unknown transformation, that a new freedom came to them. This new freedom then allowed an entirely novel path of self-realization to occur.”—Alan Longino

Edited by Fatima Hellberg, Andrew Christopher Green and Martha Joseph. Designed by Pedro Cid Proença.

An in-depth look at the Shonandai Cultural Centre, one of the groundbreaking buildings in 1980s Japan and the masterpiece of Japanese architect Itsuko Hasegawa, presented in photographs and technical drawings. The Shonandai Cultural Centre was the first major public project of Itsuko Hasegawa. Shonandai belongs to a different time – the 1980s – and a different place, Japan, but it shares the desire of earlier generations to “overcome” modernism. Hasegawa achieves this in the most outlandish way, possible perhaps only in Japan in the 1980s. This is where the 1960s techno avant-garde comes full circle. Illustrated with photographs by Stefano Graziani, this book is part of the Everything without Content series by Kersten Geers, Jelena Pancevac and Joris Kritis and successor to previous books on Aldo and Hannie Van Eyck and Giancarlo de Carlo.

Hand-drawn artist’s book by Rotterdam-based artist Ilke Gers. Originally from Aotearoa New Zealand, Gers works with text, drawing, and publishing to explore the connections between the body, movement, and language.

A document of Ilke Gers’s work Index (2024–25). Produced on the occasion of the group exhibition Bold and Gritty at Stedelik Museum Schiedam, curated by Linda van der Vleuten and Bruce Tsar-Meu-Chong, 24 May–9 November, 2025. Edition of 200.

Ship of Fools / The Dockers’ Museum is the project on which the US artist and writer Allan Sekula worked during the last three years of his life. The work consists, first, of a corpus of thirty-three framed photographs and two slide projections of in total over one hundred images, all made by the artist (Ship of Fools); second, it contains a gigantic collection of various objects, graphic images, postcards, and prints which the artist purchased, mostly online (The Dockers’ Museum). Sekula dedicated this work to both historical and contemporary labor solidarity in and around the docks.