With texts by Jan Debbaut and Rudi H. Fuchs. Designed by Walter Nikkels.

*Please note this publication is secondhand and has some traces of previous ownership.

Iwata Nakayama (1895-1949) is regarded as a one of the most important contributors to the Shinko Shashin movement. After graduating from the Tokyo School of Fine Arts in 1918, he received a scholarship from the Japanese government and went to California before settling in New York. At the same time Nakayama was attracted to avant-garde movements and moved in bohemian circles where he met Shimizu Toshi. Shimizu encouraged him to move to Paris in 1926 where he met Man Ray, Fujita Tsuguji, and Enrico Prompolini. These encounters left a deep impression on him and when he returned to Japan in 1927 he energetically set about forming his own vision of ‘pure art photography’. In 1929 he settled in Ashiya (nr. Kobe) and in the following year founded the Ashiya Camera Club with Hanaya Kambei, Korai Seiji, and others. This club became the main driving force of New Photography in Japan. Together with Kimura and Nojima he founded Koga magazine in 1932 that was the most important forum for artistic photography at the time.

Produced on the occasion of Christian Philipp Müller’s participation in documenta X in 1997, where he presented A Balancing Act, which took as its point of departure Joseph Beuys’ 7000 Oaks and Walter de Maria’s Vertical Earth Kilometer.

Christian Philipp Müller is a Berlin-based Swiss conceptual artist whose practice examines a range of issues from social and aesthetic concerns to design, national histories, and the institutional framing of culture. His projects are usually collaborative, interdisciplinary, and site-specific.

You can read more on the work (from October Vol. 82 (Autumn, 1997) here.

Invitation card produced on the occasion of the exhibition Jef Geys at Kunsthalle Bern, 29 May–25 July, 2021.

Produced on the occasion of the exhibition Balkon at the Kulturreferats der Landeshauptstadt München, 15 May–16 June, 1987, curated by Michaela Melián and featuring the artists; Johanna Heß, Ika Huber, Johanna Kandl, Jutta Koether, Michaela Melián, Bettina Semmer, Rosemarie Trockel. With an introduction by Gislind Nabakowski.

Produced on the occasion of Jutta Koether’s exhibition Fantasia Colonia at the Kölnischer Kunsteverin, Köln 26 May–13 August, 2006 and Kunsthalle Bern, 19 January–11 March, 2007.

Texts by Diedrich Diederichsen, Isabelle Graw, Martin Prinzhorn, Michael Kerkmann and a conversation with Jutta Koether, Sam Lewitt and Eileen Quinlan.

Bob Nickas’ review of the Kölnischer Kunsteverin exhibition can be found here.