Pure Fiction is a reader that examines how fiction-based writing and narrative building functions in contemporary artistic context. Edited by Lisa Lagova and Manon Fraser with contributions by Susan Finlay, Manon Lutanie, Kristina Stallvik, Jonathan Blaschke, Nadia de Vries, Lisa Lagova, Ivan Cheng, Fadi Houmani, Nour Ben Said, Chris Kraus and Manon Fraser. Edited by Lisa Lagova and Manon Fraser. Designed by Lisa Lagova.

Produced on the occasion of Alighiero Boetti’s exhibition ‘September 1986’ at Michael Klein. Inc, Amsterdam 27 November–22 December, 1986

*Please note this publication is secondhand and may have some traces of previous ownership. Address has been altered in documentation.

This first monograph on Italian artist Emilio Prini explores his radical approach to art across five decades of work through texts, archival research, and artist interventions. Structured chronologically from 1966 to 2016, it examines his work via a systematic iconographic and bibliographic analysis of Prini’s archives along with the institutions he exhibited at. As he considered the medium secondary to the concept, no distinction is made between installations, sculptures, invitations, posters, or documents; and by presenting the works first individually and then situated in different contexts, the book provides a unique insight into his particular methodology.

Edited by Luca Lo Pinto. Contributions by Alexander Alberro, Stefano Chiodi, Lara Favaretto, Adam Harrison, John Knight, Hans Ulrich Obrist, Luca Lo Pinto, Timotea Prini, Anri Sala, Andrea Viliani. Designed by Experimental Jetset.

Bladspiegel is a periodical poly-semi-facsimile. Each issue reproduces four books chosen by four invited artists and designers. Issue No.001 brings together selections by Jonathan Blaschke, Matas Buckus, Tato Greve, Valentina Stahnke. Assembled by Sanie Irsay. Edition of 50.

Produced on the occasion of Roman Ondák’s exhibition Ekspozycja at the Centre for Contemporary Art, Ujazdowski Castle, Warsaw, 8 December, 1998–16 January, 1999. With a text from Peter Michalovic.

*Please note this publication is secondhand and may have some traces of previous ownership.

Arthur Rimbaud in New York, one of David Wojnarowicz’s incursions into photography, is the articulation of a testimony to urban, social and political change in New York.

Wojnarowicz, using the figure of the accursed poet as the only way for an artist to intervene in reality, chronicles his own life and his emotional relationship with New York City in the late 1970s. The artist portrays a number of friends with a life-size mask of the French poet Arthur Rimbaud, thereby taking on his identity and highlighting the parallels in their lives: the violence suffered in their youths, the feeling of being denied freedom, the desire to live far away from the bourgeois environment and the fact of their homosexuality.

*Please note this publication is secondhand and may have some traces of previous ownership.