Produced on the occasion of the exhibition Hawkins Bolden: Tongues, at Robert Heald Gallery, Wellington, 25 June–2 July, 2020.

Hawkins Bolden (1914–2005) was a self-taught artist who lived his entire life in Memphis, TN. At the age of seven, Bolden was left completely blind following a baseball accident involving his twin brother. Later in life, he began scavenging the alleyways and fields around his home in search of discarded materials, litter and other debris with which to work.

More information on the exhibition can be found here and more information on Hawkins Bolden can be found here and here.

American poet Norman H. Pritchard’s second and final book, EECCHHOOEESS was originally published in 1971 by New York University Press. Pritchard’s writing is visually and typographically unconventional. His methodical arrangements of letters and words disrupt optical flows and lexical cohesion, modulating the speeds of reading and looking by splitting, spacing and splicing linguistic objects. His manipulation of text and codex resembles that of concrete poetry and conceptual writing, traditions from which literary history has mostly excluded him. Pritchard also worked with sound, and his dynamic readings—documented, among few other places, on the album New Jazz Poets (Folkways Records, 1967)—make themselves heard on the page.

2 cards of 10 from the series Serie 67 Daniel Spoerri 1961–1982. Featured are the works Rosinenkuchenschuhe, 1969 and Aus der Serie: Die Heilsarmee, 1982

*Please note these items are secondhand and have some traces of previous ownership.

Gerard Stigter (6 November 1936–12 August 2021), known by the pseudonym K. Schippers, was a Dutch poet, prose writer and art critic. Credited with having introduced the readymade as a poetic form, his work is dedicated to looking at everyday objects and events in a new way.

Domenico Gnoli is known for his analytical paintings, which exist at the intersection of minimalism, hyperrealism and pop art.

Produced on the occasion of Domenico Gnoli’s exhibition at the Museum Boijmans Van Beuningen, Rotterdam, 14 September–4 November, 1973.

With texts from Guy Joufroy and Alain Dumur.

Exhibition invitation produced on the occasion of Domenico Gnoli’s exhibition at Galerie Schmela, Düsseldorf, 14 February–9 March, 1970.