Produced on the occasion of the exhibition Parallelepipede & Trame Travail in situ by Daniel Buren at the Center for Contemporary Art, Kitakyushu, 1 – 19 December, 1997.
Produced on the occasion of Félix González-Torres representing the United States at the Venice Biennale, only the second time in the modern history of the Venice Biennale that an artist has represented the U.S. posthumously.
Exhibition curator Nancy Spector provides an introductory essay on the artist, and curators Amada Cruz, Susanne Ghez and Ann Goldstein discuss in conversation their proposal of González-Torres for the 1995 Biennale.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition Gordon Matta-Clark: A Retrospective at the Museum of Contemporary Art, Chicago, 8 May – 18 August, 1985.
Includes essays by Mary Jane Jacob and Robert Pincus-Witten and an interview of Matta-Clark by Joan Simon.
*Please note this publication is secondhand and has some traces of previous ownership.
Dutch artist Magali Reus has been creating hyper-realistic sculptures for more than a decade. She represents, redefines, enlarges and deforms everyday objects in various materials and using surprising combinations of digital, manual and industrial processes.
This publication features work from exhibitions at Museum Dhondt-Dhaenens, Centre d’art contemporain-la synagogue de Delme, Kunsthalle Bratislava & Atelier Calder.
With texts by Rebecca May Johnson, Filipa Ramos. Designed by Wolfe Hall.
GHOST TOWN by Ola Vasiljeva is the first comprehensive overview of Vasiljeva’s practice and (re)collects the fragments, shapes, and thoughts that have been (re)configured and (re)presented throughout Ola’s multifaceted constellations from 2008 to 2023.
Edited by Roos Gortzak and designed by Robert Milne, the publication consists of several intertwined sections, including Ola’s exhibitions; texts by Roos Gortzak, Chris Fitzpatrick, Anna Gritz, Daniil Kharms, and Kate Strain; an ALBUM by The Oceans Academy of Arts (OAOA); and STORAGE that functions as ‘both a compass for navigating the archipelago of her piled arrangements, and later, as a mnemonic device.’
Produced on the occasion of the exhibition The Place in the Window at Tomio Koyama Gallery, Kyoto, April 26 – June 1, 2013.