Cards produced on the occasion of B. Ingrid Olson’s exhibition Elastic X At Secession, Vienna, 29 June–4 September, 2022.

A projected multivolume catalogue of the Michael Krebber’s complete work, compiling high-quality photographs, material descriptions, and provenance of his output in all media. Focused on his early work, this first volume includes paintings, sculptures, works on paper, and film from 1972 to the year 2000. Opening with a historical essay that traces the genesis of Krebber’s practice in relation to contemporaries such as Martin Kippenberger and Albert Oehlen, the book also contains numerous short texts analyzing and contextualizing individual works. In addition to a full biography and bibliography, the catalogue raisonné features extensive documentation of Krebber’s early exhibitions, many of which have not been published before.

Produced on the occasion of Sarah Rapson’s exhibition Ode To Psyche at Secession, Vienna, 20 November, 2021–20 February, 2022.

From 1962 to 1976, Paul Thek traveled to Italy, for multiple extended stays. In Rome, he discovered ancient sculpture, the achievements of the Renaissance, the Baroque churches, but above all the contemporary artistic effervescence of the capital. In Sicily, with his friend the photographer Peter Hujar, he was confronted with the question of death through reliquaries, religious processions or the extraordinary Capuchin catacombs. On the island of Ponza, he immersed himself in an ecstatic Mediterranean lifestyle, in osmosis with nature and the sea in particular.

Produced on the occasion of Jockel Heenes’ exhibition Blei, Beobachter-Environment, Stelen, Objekte, Landschaft, Natur, Geschlagen, Gezeichnet, Fotosequenz, 10 November, 1979–6 January, 1980 at the Neue Galerie-Sammlung Ludwig, Aachen.

*Please note this publication is secondhand and has some traces of previous ownership.

Anna Oppermann (1940–1993) is best known for her “ensembles”—expansive and complex assemblages of drawings, photographs, notes, and found objects that she developed, often over the course of years, in idiosyncratic creative processes. The fruits of an approach that was both intensely visual and tenaciously reflective, her ensembles are explicitly open works.

*Please note this publication is secondhand and has some traces of previous ownership.