Produced on the occasion of the exhibition You’re a nice guy to let me hold you like this at Greengrassi, London, 4 September–24 October, 2015.
Produced on the occasion of Franz West’s exhibition at Kunsthalle Bern, 16 January–28 February, 1988. With texts by Ulrich Loock and Franz West.
Reprint of Simone Forti’s 1978 publication Angel. Originally produced as a document of a 1976 performance at Fine Arts Building, which included readings and the hologram Angel. With photos by Babette Mangolte.
Produced on the occasion of the exhibition I’M NOT A NICE GIRL! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles at K21 Düsseldorf.
The point of departure for the exhibition is a series of documents that have rarely or never been shown before— letters, concepts, and photographs from the Archive Dorothee and Konrad Fischer which chronicle contacts between the internationally influential gallerist Konrad Fischer and Lucy R. Lippard, as well as women Conceptual artists from the late 1960s and early 1970s such as Eleanor Antin, Hanne Darboven, Agnes Denes, Adrian Piper, Lee Lozano, Charlotte Posenenske, and Alina Szapocznikow.
Produced on the occasion of Raoul de Keyser’s 1991 exhibition at the Kunsthalle Bern. With texts from Ulrich Loock, Dirk de Vos and Paul Robbrecht.
Raoul De Keyser was a Belgian painter who from 1964 onwards built a highly personal body of work that was exceptionally difficult to categorize; he successfully reconciled a number of apparent contradictions such as figuration versus abstraction and the physicality of paint versus the ephemerality of the image.
Conceptual artist Ian Wilson (1940, Durban, South Africa) has been interested in spoken language as an art form since 1968. At first, he described his own work as ‘oral communication’, and later on as ‘discussion’. At Wilson’s own request, his work is never recorded either as film or audio in order to preserve the transient nature of the spoken word.
During a visit of Wilson to the Van Abbemuseum in 2006, the idea arose to make a catalogue raisonné, containing all of Wilson’s discussions from 1968 until 2008. Using documentation and the recollection of participants, the fleeting works have been catalogued by researcher Chantal Kleinmeulman.
Designed by Inge Ketelers.