Dear Clay gathers a selection of spreads extracted from Stéphanie Baechler’s meticulous sketchbooks displayed in chronological order (2013–2019), as well as 35mm photographs documenting her working process. Providing an intimate insight into her artistic practice, it reveals what facilitates the work from its conception to its making, transportation, and installation.

With texts by Zoë Dankert, Stéphanie Baechler, Jan Verwoert and Rudy Guedj. Designed by Rudy Guedj and Laura Pappa.

Produced as a contribution to the exhibition Commitment, een keuze uit drie jaar Fonds BKVB, Las Palmas, Rotterdam, 2002. The text which is derived from a fortune cookie, has taken various forms and media in Bik Van der Pol’s work since 2000.

Miscellaneous invitations produced for exhibitions of Marc Nagtzaam’s work from 1997–2020.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.

For this booklet Marc Nagtzaam selected a series of drawings by painter Roeland Zijlstra. The pages are filled with drawings of men and women, often in unflattering poses in a day at the beach. To these scenes of unabashed and carefree amusement Marc Nagtzaam has added a series of quotes by artists, taken from various art magazines. The juxtaposition of this contrasting material results in a playful and surprising publication.

Reproductions of six wall drawings made by Marc Nagtzaam at San Serriffe, Amsterdam, during the month of June, 2013. Laser print on paper, hand stapled in a numbered edition of 40 copies.

Marc Nagtzaam has been producing a body of work that is based on one main subject: the idea of pattern, the repetition. He draws lines, grids, circles, words or sentences as in an endless search for collecting pieces of information.

The first publication published by Roma Publications, this coverless book shows collected text fragments hand written by Marc Nagtzaam – to be seen as sources of his work—followed by a series of abstracted drawings of passed exhibitions. Produced in an edition 200.