Produced on the occasion of Pieter Laurens Mol’s inclusion in the exhibition Passages at the Haags Centrum voor Actuele Kunst, Den Haag, 1994. A sachet that contains 4 grams of a mixture of salt and sugar.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Ed Atkins’ The worm, 1 June – 1 July, 2023 at Parnassusweg 220, Amsterdam as part of the Holland Festival. Atkins presented a telephone call with his mother. “[She] is heard but not seen, while Atkins is rendered, by way of performance-capture technology, as a digital avatar who listens attentively, mumbling in agreement, sympathy, or surprise, asking a question only when her narrative falters.”

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Ed Atkins at MoMA PS1, New York, 20 January – 14 April, 2013.

Known for his high-definition videos that defy narrative conventions, Ed Atkins works with filmic and text-based forms in technological transition. The artist considers HD technology deathlike because of how it intensifies the visibility of the filmed subject, creating an image that prioritises its own representation over the language, character, and emotions of the figures it depicts. Often creating installations that include collage, drawing, and other mediums, the artist deploys this bodiless movie format to highlight the conflicting intimacies that today’s mechanisms of cultural production represent and allow us to achieve.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of exhibitions at De Garage, Mechelen, Cultuurcentrum Strombeek & White-Out-Studio, Knokke-Heist, 15 April – 5 June, 2011. With texts by Yves Aupetitallot, Sven Beckstette, Luk Lambrecht.

Produced on the occasion of the exhibition Yayoi Kusama: De Nederlandse jaren, 1965-1970 at the Stedelijk Museum, Schiedam, 23 September, 2023 – 25 February, 2024.

This publication describes Kusama’s formative but underexposed Dutch period through essays by various art specialists, numerous previously unpublished photos, newspaper reports and personal recollections by eyewitnesses, from Phil Bloom to Henk Peeters.

Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d’Or.

*Please note this publication is secondhand and has some traces of previous ownership.