Monograph with comprehensive timeline, produced on the occasion of Manfred Pernice’s exhibition Que-Sah at The Neues Museum, Nuremberg, 25 April–6 July, 2008.

The exhibition title – Que–Sah – refers to one volume of the Brockhaus encyclopaedia, where alphabetical arrangement gives systematic order to the highly varied lexical contents. For Pernice, “the first entry (Quebec conferences) and the last (Saho, Ethiopian stock farmers), like all the other conceptual phenomena in-between, are potential areas of artistic exploration.”

Designed by Yvonne Quirmbach.

Produced on the occasion of CAConrad’s Mapping Dimensions 27, a multi-part series of writing workshops at: KW Institute for Contemporary Art, Berlin; Contemporary Art Center (CAC), Vilnius; Kunstverein für die Rheinlande und Westfalen, Düsseldorf.

“CAConrad will create a (Soma)tic Poetry Ritual at KW Institute for Contemporary Art based on the work of Ian Wilson. For the two-day workshop he will use handmade maps and a reconfigured version of Jason Dodge’s sculpture A golden lightning rod pointing north to study the many aspects of our planet’s directional points of East and West. He will use these references to explore life and death, as the known and the unknown forces of our world and how these directional archetypes help and hinder our lives. This is a love letter to the Future Wilderness of our world.”

Produced on the occasion of the exhibition John Baldessari “Composition for Violin and Voices (Males),” Magasin, Centre National d’Art Contemporain de Grenoble, France, 3 May– 28 June, 1987.

Pamphlet to accompany the presentation of Man Ray’s films at SEED, Tokyo. The season ran from Tuesday 9 September–Thursday 26 September, 1989.

Pamphlet to accompany the presentation of Man Ray’s films at SEED, Tokyo. The season ran from Tuesday 9 September–Thursday 26 September, 1989.

Japanese monograph dedicated to the photographic works of Man Ray.