Joan Jonas is a pioneer of video and performance art, her early work from the 1960s and 1970s anticipated the following forty years of multimedia.

This collection of the correspondence between artist Rosemary Mayer (1943–2014) and poet Bernadette Mayer (born 1945) occurs between the years of 1976 and 1980, a period of rich creativity in New York’s artistic avant-garde, and one which includes the development of major bodies of work by the two women. Rosemary Mayer was creating sculptures, watercolours, books and “temporary monuments” from weather balloons and snow, while Bernadette Mayer was working on some of her best-known publications, including the book-length poem Midwinter Day and the poetry collection The Golden Book of Words. Spanning the worlds of Conceptual art, Postminimalism, feminism, the New York School, Language poetry and more, these letters elucidate the bonds of sisterhood through intimate exchanges about art, relationships and everyday life.

Produced on the occasion of David Lieske’s exhibition Dritte Ausstellung Fuer Photographische Arbeiten at Galerie Karin Günther, Hamburg, 3 March–6 May, 2022. In addition to documentation of the exhibition it contains a conversation between the artist and Nicholas Tammens. Designed by Atelier Maève.

Booklet of English translations produced on the occasion of Playbill Act II: Moniek Toebosch at Torpedo Theatre, Amsterdam June 24, 2022.

Directly engaging with the theatrical setting of Torpedo Theater, the forty-five short texts composing theater-maker, artist, educator and broadcaster Moniek Toebosch’s 1994 work Kop op Kop [Head to Head] were performed as a one-person play by television and radio presenter Adeline van Lier. First exhibited as part of the Stedelijk Museum’s 1994 exhibition Couplet 3, the work—for which Toebosch wrote monologues and poems to accompany a selection of portraits held in the Stedelijk Museum’s collection—is one of many pieces produced by Toesbosch that interweave text with performance and/or its implications.

Designed by Maud Vervenne.

Programme produced on the occasion of Playbill Act II: Moniek Toebosch at Torpedo Theatre, Amsterdam June 24, 2022.

Directly engaging with the theatrical setting of Torpedo Theater, the forty-five short texts composing theater-maker, artist, educator and broadcaster Moniek Toebosch’s 1994 work Kop op Kop [Head to Head] were performed as a one-person play by television and radio presenter Adeline van Lier. First exhibited as part of the Stedelijk Museum’s 1994 exhibition Couplet 3, the work—for which Toebosch wrote monologues and poems to accompany a selection of portraits held in the Stedelijk Museum’s collection—is one of many pieces produced by Toesbosch that interweave text with performance and/or its implications.

Designed by Maud Vervenne.

A descendant of the Bidjara, Ghungalu and Garingbal peoples, much of Dale Harding’s multilayered practice is motivated by the cultural inheritances of his families, who originate in the Fitzroy Basin and the sandstone belt of central Queensland. Harding’s works pay homage to the stories and presence of matrilineal figures in his family.

Produced to accompany an exhibition of the same title at Monash University Museum of Art (MUMA) and the Chau Chak Wing Museum, University of Sydney, Through a lens of visitation specifically explores the artist’s relationship to his mother’s Country of Carnarvon Gorge and documents a major new commission and first-time collaboration with his mother Kate Harding. A textile artist, who since 2008 has employed quilt-making to tell her stories of family, culture and Country, Kate Harding’s quilts are presented alongside painterly responses undertaken by Dale Harding across various mediums.

Edited by Hannah Mathews and Dale Harding. Designed by Stuart Geddes and Žiga Testen.