Signed, dated, numbered, edition of 2 + 1 ap.

Margaret Honda’s films grow out of a sculptural practice that privileges a material relationship to the medium above any narrative or representational concerns. Honda aims to reconsider the standards of film production protocols, often rearranging the order in which things are done or utilising only certain aspects of the production chain.

Produced on the occasion of the exhibiting of Lutz Bacher’s work Elvis Moan (2008/2013, Sound, 5’ 13’) in the basement of Fridericianum, Kassel, from 3 April–5 September, 2021.

Produced on the occasion of Antonin Artaud: works on paper at the Museum of Modern Art, New York, 3 October, 1996–7 January, 1997. An exhibition of seventy drawings, mostly from the 1940s, by the French literary figure and pioneer of the theatre.

You can view a pdf of the exhibition catalogue here.

Produced on the occasion of the exhibition Öyvind Fahlström, Centre Georges Pompidou, Musée national d’art moderne, Paris, 23 –31 March, 1980 and Moderna Museet, Stockholm, October–November 1979.

Öyvind Fahlström (1928–1976) was unquestionably one of the twentieth centuryʼs most innovative and multi-dimensional artists. His incentive was to investigate economical, political and social issues and the production of meaning.

This three-volume publication (in slipcase) is published on the occasion of the exhibition, Manipulate the World: Connecting Öyvind Fahlström, at Moderna Museet, Stockholm, 21 October, 2017–21 January, 2018.

Produced on the occasion of Vivian Suter’s exhibition at Kunstmuseum des Kantons Thurgau, Kartause Ittingen, 1983.