Casual Relationships explores the mechanisms at work in the construction of visual culture. By carefully curating and simulating photographs from contemporary vernacular sources, Max Creasy identifies the way these images are endorsed within social groups and norm circles. The sequencing and design of the publication articulate the associations and patterns discerned from this promiscuous collection of images. The book is offered as a 56pp single section mounted into a case with exposed core and 4 foil blocks to cover.

Designed by OK-RM, London.

Exhibition invitation produced on the occasion of Braco Dimitrijević’s exhibitions; Triptychos Post Historicus or, Far From Harbour, Near The Stars at the Queensland Art Gallery, Brisbane, and The Sky of The South Hemisphere; Post Historical Dimension at the Institute of Modern Art, Brisbane.

Invitation card produced on the occasion of Manfred Pernice’s exhibition Kassetten/Cassettes II at Kulturkreis der Deutschen Wirtschaft, Berlin, January–December, 2017.

Produced on the occasion of the exhibition No Rocks Allowed., curated by Haim Steinbach, in Witte de With Center for Contemporary Art, 17 October–29 November, 1992. This book, a photo album compiled and designed by Steinbach himself, serves as a continuation of the exhibition, including the work of; Bas Jan Ader, Marcel Broodthaers, James Joyce, Joseph Kosuth, Cas Oorthuys, Klaus Rinke, Gerry Schum, Shelly Silver, J.J. Slauerhoff, the Van Toer family, G. Lee Thompson and Lawrence Weiner.

Primarily known for his paradigmatic “shelves” displaying everyday objects, Haim Steinbach (born 1944) has developed a practice that evolved from early minimalist painting with grids and monochromes to later large-scale installations that have seldom been seen in the US. Growing out of a traveling exhibition that features works drawn from throughout Steinbach’s career, as well as archival materials and new site-specific installations, Object and Display urges readers to take a closer look at this seminal artist’s works. Hundreds of full-color illustrations document the exhibition, which included photographs, models and recreations from past works, along with photography of the site-specific installations that appeared at each institution. New essays by writers Johanna Burton and Germano Celant explore the evolution of Steinbach’s practice and his investigations into what constitutes an art object and how art and objects are displayed.

Invitation produced on the occasion of Janet Burchill & Jennifer McCamley’s exhibition NEON at the Art Gallery of New South Wales, Sydney, 26 June–14 August, 2005.