This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art’s relationship to knowledge.

Begun in spring 2016 with an invitation, extended to the artist by Roelstraete and his colleagues Monika Szewczyk and Adam Szymczyk, to participate in the fourteenth edition of documenta, Pope.L’s contribution took on the guise of an immersive, seemingly omnipresent sound installation titled Whispering Campaign, consisting of thousands of hours of whispered content—addressing nationhood and borders—broadcast throughout Athens and Kassel using both speakers and live “whisperers.”

Produced on the occasion of Jannis Kounellis’ exhibition at Ci-Gong Gallery, Taegu, 12 July–25 July, 1996.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Jannis Kounellis at the Institute of Contemporary Arts, Nagoya, 6 June–31 July, 1987. With an essay by Germano Celant.

*Please note this publication is secondhand and has some traces of previous ownership.

This thesis explores what it means to be human guided by Sylvia Wynter’s thought provoking trajectory “Towards the Human, after Man” and Denise Ferreira da Silva’s encompassing book Toward a Global Idea of Race (2007); and argues that at the core of contemporary humanness lies a struggle defined by a racialized order of human existence. This struggle informs not only those racialized Others but to varying degrees impacts all human beings on a global scale. As a form of tentacular thinking this thesis contributes in troubling the colonial category of the human by introducing the figure of the human adoptee of color in relation to a decolonial ethics of care and healing.

Designed by Christoph Clarijs.

Exhibition guide produced on the occasion of the first institutional solo exhibition in Germany dedicated to Vincent Fecteau, at Fridericianum, Kassel, 3 April–5 September, 2021. Encompassing more than sixty selected works created between 1993 and 2020, the show provided a comprehensive overview of Fecteau’s oeuvre.

Produced on the occasion of Richard Tuttle’s participation in the group exhibition Das kleine Spiel zwischen dem Ich und dem Mir – Kunst und Choreografie at Kolumba Museum, Köln.