Produced on the occasion of the exhibition anne Krul – ANAGRAMMA TICS with Tabea Nixdorff and Unica Zürn, at A Tale of A Tub, Rotterdam, 31 May–24 August, 2025.

ANAGRAMMA TICS takes the form of an unconventional retrospective, wherein the various facets and outputs of krul’s practice—anagram poetry, art making, education, organising, collaboration and intergenerational dialogue—will be on show for many for the first time. krul worked with artist and typographer Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce new audio works while also translating krul’s anagram poems—a type of poetry made with the guiding principle that either each line or each verse is written with the same set of letters as all other lines or verses in the poem—into spatial installations and sculptures, building on their overlapping interests in poetry and found language, as well as the restrictions inherent to writing.

Designed by Tabea Nixdorff.

Produced in an edition of 100 by Progetto, a space based in Lecce. Previous exhibitions include Niloufar Emamifar, SoiL Thornton, Aria Dean, K.R.M. Mooney, Lydia Ourahmane, Noah Barker & Wyatt Niehaus, Bri Williams, Dora Budor, Michael Dean, Nina Canell, Robin Watkins and K. Verlag and ektor garcia.

All sales from the calendar go towards its programming and library. Designed by PEACH.

*Please note this publication is stored offsite and is available by mail order only.

In July, the bookshop will pack up and temporarily relocate to Brunette Coleman in London, presenting a selection of books alongside artworks from past and future projects.

With works, books and ephemera from Michèle Graf & Selina Grüter, Marc Camille Chaimowicz, Stuart Sherman, Janet Burchill and Jennifer McCamley, gerlach en koop, Wyatt Niehaus, Ian Burn, Willem Oorebeek, Anna Daučíková, Seth Siegelaub’s International General imprint, Ruth Wolf-Rehfeldt, a selection of publications around early abstract experimental Japanese photography by Kiyoshi Koishi, Ei-Q, Kiyoji Ōtsuji, Nakaji Yasui, Iwata Nakayama, Kansuke Yamamoto, Osamu Shiihara amongst others, Marietta Mavrokordatou, Barbara Bloom, Marian Zazeela, Eugene Carchesio, Anna Oppermann, Lili Dujourie, Cady Noland, Nasreen Mohamedi, Jason Dodge, Mladen Stilinović, Laurie Parsons, Kōshirō Onchi, Jochen Lempert, Atsuko Tanaka, Hans Bellmer, Gutai, readymades belong to everyone®, Philippe Thomas, Trisha Donnelly, Lucy McKenzie, Jef Geys, Ilke Gers, Henri Michaux, Kazuna Taguchi, Pierre Klossowski, Lutz Bacher, Etel Adnan, Zoe Leonard, Ian Wilson, David Robilliard, VALIE EXPORT, Ketty La Rocca, Michael Snow, Ibon Aranberri, Charlotte Posenenske, Běla Kolářová, Yvonne Rainer, stanley brouwn, Margaret Honda, Moyra Davey, Tim Rollins and K.O.S., Sanja Iveković, Robert Filliou, Michael Krebber, Manfred Pernice, Ronald Jones, Ezio Gribaudo, Paul Sharits, On Kawara, Fiona Connor, Cinzia Ruggeri, Barbara T. Smith, Man Ray, Derek Jarman, Tetsumi Kudo, Guy Mees, Mária Bartuszová, Guy de Cointet, Kai Althoff, Christopher Williams, Richard Tuttle, Marie Laurencin, Jay Chung & Q Takeki Maeda, Hanne Darboven, Francis Picabia, Simone Forti, Susan Howe, Algirdas Šeškus, Marcel Broodthaers, Dora Budor, Jack Goldstein, Alina Szapocznikow, Poul Gernes, John Knight, Tomio Miki, Chantal Akerman, Francesca Woodman, Sarah Rapson, Franz Erhard Walther, Vivian Suter and others.

Until August, the Amsterdam space will be open by appointment only and web orders will run as usual.

Produced on the occasion of the exhibition Photo Avant-garde Nagoya at the Nagoya City Museum of Art in 1989.

Emerging in the 1930s from the influence of overseas modernism and alongside other groups such as the Naniwa Photo Club in Kansai (Kiyoshi Koishi, Hanawa Ginware, etc.), Ashiya Photo Club (Iwata Nakayama, etc.), and Tampei Photo Club (Nakaji Yasui, etc.), Nagoya Photo Avant-Garde included photographers such as Minoru Sakata, who is known for “modeling photography”, Yoshio Shimozato, a painter who is famous for Mesemu Zoku: Chogenjitsushugi Shashi-shu, Kansuke Yamamoto, who was also active in VOU, and Tsugio Tajima.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibitions at Hyogo Prefectural Museum of Modern Art, Hyogo, 29 August–15 October, 1989 and Seibu Department Store Ikebukuro, Tokyo, 27 October—15 November, 1989.

Iwata Nakayama (1895-1949) is regarded as a one of the most important contributors to the Shinko Shashin movement. From 1918 he travelled in the the west and was attracted to avant-garde movements and moved in bohemian circles where he met Shimizu Toshi, Man Ray, Fujita Tsuguji, and Enrico Prompolini. These encounters left a deep impression on him and when he returned to Japan in 1927 he energetically set about forming his own vision of ‘pure art photography’. In 1929 he settled in Ashiya (nr. Kobe) and in the following year founded the Ashiya Camera Club with Hanaya Kambei, Korai Seiji, and others. This club became the main driving force of New Photography in Japan. Together with Kimura and Nojima he founded Koga magazine in 1932 that was the most important forum for artistic photography at the time.

*Please note this publication is secondhand and may have some traces of previous ownership.

Completed in 1975, this oft-referenced dissertation by Regina Cornwall was revised and enlarged for the current publication. The book presents and interprets the seminal years of Snow’s artistic production in film and photography, in 8 chapters, illustrated with black and white images.

*Please note this publication is secondhand and may have some traces of previous ownership.