Produced on the occasion of the exhibition Marc Camille Chaimowicz – Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022-2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of the exhibition Marc Camille Chaimowicz – Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022-2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of the exhibition Marc Camille Chaimowicz: Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022–2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of the exhibition Marc Camille Chaimowicz: Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022–2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Exhibition booklet produced on the occasion of the exhibition Tetsumi Kudo: Retrospective, curated by  Susanne Pfeffer, Fridericianum, 25 September 2016–1 January, 2017.

Bottled humanism, coloured neon contaminations, tattered flaps of skin, and limp penises bring humanist self-assurance crashing to the ground. What appears as poison or chemical devastation is in fact an appeal to understand metamorphosis as a state of being. Over a period of three decades (from the mid-1950s to the late 1980s), Tetsumi Kudo created a consistent body of work that serves as a model for contemporary conceptual approaches. The Fridericianum presented the first comprehensive retrospective exhibition of the Japanese artist’s work in Germany. This pamphlet also serves as the gallery guide for Loretta Fahrenholz’s exhibition, Two A.M. Designed by Zak Group.

Produced on the occasion of Speculations on Anonymous Materials, September 29, 2013 – January 26, 2014. Curated by Susanne Pfeffer. Artists include: Michele Abeles, Ed Atkins, Trisha Baga & Jessie Stead, Alisa Baremboym, Kerstin Brätsch &, Debo Eilers, Antoine Catala, Simon Denny, Aleksandra Domanović, GCC, Yngve Holen, Sachin Kaeley, Daniel Keller, Josh Kline, Oliver Laric, Tobias Madison, Katja Novitskova, Ken Okiishi, Jon Rafman, James Richards, Pamela Rosenkranz, Avery Singer, Timur Si Quin, Ryan Trecartin. Designed by Zak Group, London.