Produced on the occasion of the exhibition Theresa Hak Kyung Cha, The Dream of the Audience, at the Generali Foundation, Vienna, 14 May–15 August, 2004.

From the mid-1970s until her death at age 31 in 1982, Korean-born artist Theresa Hak Kyung Cha created a rich body of conceptual art that explored displacement and loss. Her works included artists’ books, mail art, performance, audio, video, film, and installation. Although grounded in French psychoanalytic film theory, her art is also informed by far-ranging cultural and symbolic references, from shamanism to Confucianism and Catholicism. Her collage-like book Dictée, which was published posthumously in 1982, is recognized as an influential investigation of identity in the context of history, ethnicity and gender.

Preface by Dietrich Karner, introduction by Sabine Breitwieser, texts by Constance M. Lewallen, Lawrence Rinder, Trinh T. Minh-ha and Bernadette Hak Eun.

Produced on the occasion of Michael Stevenson’s 2012 exhibitions at Portikus, Frankfurt and Museo Tamayo Arte Contemporáneo, Mexico City.

A plane is lodged in the Portikus attic to be seen across the river. In keeping with Stevenson’s commitment to producing objects that animate historical narratives, often as replicas, facsimiles or architectural re-constructions, the object will be transformed into an image through the very fragile and the most minute effects of optical lenses and mirrors, so that it appears in the main exhibition space.

With texts from Roberto Bolaño, Giovanni Intra, José de Jesús Martínez, Marilyn Strathern, Michael Taussig, Laura Preston, Mark von Schlegell & Jan Verwoert

Reprint of the publication originally published in 1976 for Sanja Ivekovic’s exhibition at The Gallery of Contemporary Art, Zagreb.

Following in the autobiographical vein of her artist’s book Double Life, in Tragedy of a Venus Ivekovic presents a selection of photos of Marilyn Monroe coupled with similarly composed snapshots and posed photos of the artist from throughout her life.

Reprint of the publication originally published in 1976 for Sanja Iveković’s exhibition at the Museum of Contemporary Art, Zagreb.

Dedicated to the series Double Life 1959–1975, where the artist juxtaposed pictures of herself culled from her private albums with commercial ads clipped from the pages of popular magazines and newspapers. One part of each pair depicts Iveković through distinct periods of her life, enacting for the camera different poses, while the other part shows models advertising in women’s magazines such as Elle, Grazia, Brigitte, and Svijet.

Produced on the occasion of Hugo Canoilas being awarded the Kapsch Contemporary Art prize 2020, and the resulting exhibition at MUMOK, Vienna.

Canoilas’s combination of painting with strategies of installation and performance is evidence of an expanded concept of painting based on an awareness of contemporary social and political developments and of the appertaining philosophical and art-historical discourses. These take a critical view of our world order shaped by humanism, with its hierarchical structures of values, and they advocate an empathetic approach to nature and all creatures and animals.

You can see a video on the exhibition here.

This first monograph on Ei Arakawa allows a profound understanding of Arakawas complex artistic practice in general: on behalf of Illustrations, performance scripts, notes, and sketches it unfolds a kind of archive along the performances as well as the performance people the artist has worked with over the past ten years.

With texts from Ei Arakawa, Eva Birkenstock, Sarah Chow, John Kelsey, Jutta Koether, Erika Lindström & Reiko Tomii. Reiko Tomii’s talk on Ei Arakawa can be seen here.

Designed by Hit Studio.