Nightcleaners (1975) by the Berwick Street Film Collective has long been recognised as a landmark of British experimental film and political cinema. Together with its companion film ’36 to ’77 (1978), it pioneered a film form as radical as the Collective’s politics. The films chronicle one of the key campaigns of the women’s movement in the 1970s. The campaign to unionise women night cleaners in London anticipates contemporary issues regarding precarious labour. To celebrate the first digital release of the films, a special box set has been produced containing the two films on disc, reproductions of historical material, including news sheets of the women’s movement – one designed by Mary Kelly, a member of the Film Collective, an interview with whom is also included as well as rare illustrations and contributions from the filmmakers.

Designed by John Morgan studio.

This publication is devoted to a little-known temporary artwork of Thek’s, made in the winter of 1973/74 while he was a guest of the Lehmbruck Museum in Duisburg. His expansive environment Ark, Pyramid–Christmas (“The Manger”) filled a whole room. This exhibition, organised by the director of the museum at the time, Siegfried Salzmann, was the fourth in Thek’s series of atmospheric, large-scale projects in Europe, which engaged with individualised religious symbols. The festive period provided Thek with the occasion to present, for the first time, a self-written theatre piece in the form of a nativity play featuring children from Duisburg. A great quantity of original material and documents have been discovered in the museum’s repository and enable a reconstruction of the exhibition in this book, accompanied by an interview that Marietta Franke conducted with Franz Deckwitz, who helped with the installation in 1973.

Established in 1994 in honour of the Cologne art collector Wolfgang Hahn, the Wolfgang Hahn Prize has since been awarded annually to an exceptional, internationally known artist who is nonetheless not yet well known in Germany. In 2015 the prize was awarded for the first time to two artists, R.H. Quaytman and Michael Krebber. This publication honours the prizewinners, both of whom approach the medium of painting from a decidedly conceptual standpoint. With a foreword by Mayen Beckmann, an introduction by Yilmaz Dziewior, a laudation by Daniel Birnbaum, and an afterword by Hanspeter Sauter.

Kontakt is the first publication to provide an overview of the eponymous art collection that was founded in 2004 by Erste Group and ERSTE Foundation. This collection, which now consists of over 600 individual works with an emphasis on Eastern, Southeastern, and Central Europe, is portrayed via an array of diverse, mutually complementary approaches.

Featuring artists such as Maria Bartuszová, Maja Bajević, Anna Daučíková, VALIE EXPORT, Bela Kolářová, Jiří Kovanda, Daniel Knorr, Edward Krasiński, Stano Filko, Mladen Stilinović, Július Koller, Sanja Iveković, Katalin Ladik, Ivan Kožarić.

Produced on the occasion of the exhibition, Haim Steinbach: every single day at Museum Kurhaus Kleve, 22 September, 2018–27 January, 2019 and Museion Bolzano/Bozen, 18 May–17 Sepetmber, 2019.

Haim Steinbach is well-known for his ‘shelves’ which put into question the identity of objects through selection, arrangement and presentation.

Equally important are his site-specific installations and wall works targeting institutional characteristics. These works focus on the devices of modernism such as colour, form and the grid.

Produced on the occasion of the exhibition, Jochen Lempert at CA2M Centro de Arte Dos de Mayo, Madrid, 1 June–23 September 2018.

The work of Jochen Lempert portrays the animal world in the most varied contexts: ranging from the natural habitat to Natural History museums, from the zoo to the city, in remote locations or in banal situations and objects.

In his tireless quest, Lempert has managed to create a vast archive of images that covers a wide spectrum spanning everything from everyday views to compositions that tend more towards abstraction.